Marino Haupt

Jasper Johns Untitled 2010 Intaglio on Revere Standard White 19 x 21 1/2 inches 48 x 55 cm Edition of 50 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks Gallery...

Frank Stella The New York State Christopher Columbus Quincentenary Commission, 1991 Offset Lithograph Printed in Colors Signed and dated by the artist in ink on the lower right fron...

This piece is part of my private collection of the School of Paris era. It is pencil signed in the lower left corner by the artist and numbered . I have several of these lithographs ...

"Denmark" abstract lithograph from "Escultor" suite of seven by Joan Miró (catalog raisonne reference numbers: Mourlot 939, Cramer 210.) Plate-signed Miró on front. Unframed/never fr...

untitled lithograph drawn in 2022 and published in an edition of 43. Measuring 36 by 25 inches, the work is designated number 9 of 43 lower left and signed in pencil "R Hunt...

Charles Donker Waning Moon 23,5 x 18 (Framed included in price, 44,5 x 37 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and a...

Charles Donker Leusderheide 24 x 34 (Framed included in price, 46,5 x 54,5 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and ...

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...

"Pierre Alechinsky (Belgium, 1927) 'Dribbling (Alicante)', 1982 Original poster from 1982 FIFA Soccer World Cup lithograph on paper 37.5 x 23.7 in. (9...

"Eduardo Chillida (Spain, 1924-2002) 'Museum of Art Carneige Institute Pittsburg', 1980 Original poster from 1980 lithograph on paper 12.6 x 25.6 in. (32 x 65 cm.) Unsigned Unframed ...

"Iran" abstract lithograph from "Escultor" suite of seven by Joan Miró (catalog raisonne Mourlot 934, Cramer 191.) Plate-signed Miró on front. Unframed/never framed. #2 Suite Esculto...

Georges Braque (French, 1882-1963). Affiche pour l'exposition Georges Braque-René Char à la Bibliothèque Jacques Doucet) (Vallier 185) Lithograph in colors on Japan nacre paper Sign...