Jongere, M, de – Drulman, Marinus Johannes Art

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

This painting is a quietly luminous depiction of a snow-covered garden in winter, rendered in oil on canvas at H 23.6 in x W 28.7 in. Bare deciduous trees dominate the foreground and...

To evoke the French Riviera and the light of the South, a sketch made by Andrée de Frémont on the French Riviera has become canvas. It is camping a h...

Hope Hickman says of her work... I am tormented by aesthetic seduction, by what I can only call the romantic. My practice processes, through haptic intuition, the look of wealth, of...

Original Oil on Canvas by Konstantin Savchenko

Oil on canvas

This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

Oil on canvas

This work by Chicago-based artist Patrick Fitzgerald continues his series of abstract “track paintings,” initially born as the imagined racetracks navigated by his miniature soap-box...

JERED SPRECHER says of his work…   I hunt and gather images of flowers, thick forests, sun-dappled foliage, and birds; seeking images that evoke wonder and depict natural beauty, com...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...