Mario Ceroli

A pine chest of drawers designed by Mario Ceroli and produced by Poltronova, Italy, c. 1970s. Patina buildup on drawer face details. Mild to moderate imperfections. Minor wear to ...

A Totem Chair designed by Mario Ceroli. Italy, Poltronova, 1972. Two 'FRATINA' chairs by Mario Ceroli, produced by Mobili Nella Valle for Poltronova. Unrefined Russian pine, stamped...

Pair of Mario Ceroli Fratina chairs edited by Poltronova c 1972. Made of Russian pine. The chairs are a strong sculptural statement in a loft or spacious home. As much sculpture as c...

Rare and iconic Italian mid century two seater sculptural wooden sofa in Russian pine from the from the " Mobili nella Valle" series produced by Poltronova Italy, 1973. In very good ...

Mario Ceroli “Fratina” Chair in Pine for Poltronova, 1972, Italy Designed by Mario Ceroli in 1972 and produced by Poltronova, the “Fratina” chair is one of the most striking example...

A dramatic and sculptural ‘Fratina’ chair by Mario Ceroli, crafted in Italy in the 1960s. Made entirely from solid pine, the chair features bold, architectural lines and a towering b...

Round table model La Rosa dei Venti, part of the Mobili nella Valle series, it's entirely realized in pinewood, with inlays on table-top, it was designed by Mario Ceroli and produced...

Round table model La Rosa dei Venti, part of the Mobili nella Valle series, it's entirely realized in pinewood, with inlays on table-top, it was designed by Mario Ceroli and produced by Poltronova in the 1970s. The beautiful inlays on the table top represent a compass rose, it's a figure that can be found on a compass, map, nautical chart, or also a monument used to display the orientation of the cardinal directions (north, east, south, and west) and their intermediate points. Rosa dei Venti is a masterpiece of Ceroli and it's very precious to the artist to its intrinsic meaning, directly connected with the cardinal points and our planet. Behind the homage to this element lurks the desire of Ceroli to reconcile the majesty of the wood with the limitless of the sea. Manufacturer's brand marked with fire on the table structure. Literature: Giuliana Gramigna, "Repertorio del Design Italiano 1950-2000", Allemandi, 2011, p. 214.   Mario Ceroli (1938) is one of the most influential artists of the Italian post-war period. Ceroli graduated from 'Accademia delle Belle Arti' in Rome, where he studied with Leoncillo, Fazzini and Colla. In the early stages of Ceroli's career he concentrated on ceramics and in 1958, he exhibited these works at the Premium Spoleto. In the same year Ceroli held his first solo exhibition at Galeria San Sebastinello of Rome. During 1959 he began to experiment with new materials, particularly with raw wood, such as Russian pinewood. He used these materials to create silhouetted shapes in his furniture and objects that related simplistically to the surrounding space. Ceroli relates back to the traditional medieval craftsmen, focusing on an overall and overwhelming attraction that holds a dialogue with the spectator. Between 1967-1968, Ceroli took part in exhibitions related to the "Arte de Povera" group. He had also been involved as screenplay director collaborating with "II Teatro Stabile" in Turin and with "La Scala" In Milan. Characteristically Ceroli's designs are dramatic and sculptural, with exaggerated forms and bold lines and often paying tribute to historical artworks. One of Ceroli's major works was his 'Mobili nella Valle' series, inspired directly by De Chirico's 1927 painting...