Martin Olivas Quintana Art

Yeonsoo Kim, "We All Need Happiness" NC wild clay, white slip, 17 x 14 x 15 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, cont...

Colorful abstract ceramic sculpture titled "Mini" by Lauren Skelly Bailey. Glazed stoneware, gold luster. Size: 7 x 5 x 5.5 inches. Artist Lauren Skelly Bailey invites viewers to d...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

Yeonsoo Kim, "Self Portrait" White Porcelain, glaze, underglaze, 12 x 11 x 11 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, con...

Colorful blue abstract ceramic sculpture titled "Froth Crinkle" by Lauren Skelly Bailey. Glazed stoneware, gold luster. Size: 10 x 6 x 5.5 inches. Artist Lauren Skelly Bailey invit...

Yeonsoo Kim, "You Are Enough" Monochromatic black and white clay vessel, White stoneware, black underglaze, 22 x 20 x 20 inches. Korean ceramic artist Yeonsoo Kim masterfully blends...

Embrace (Peach) is a fired clay constructed and painted sculpture by Patricia Volk, dimensions are 32 × 50 × 41 cm (12.6 × 19.7 × 16.1 in). It is a unique signed piece and comes wit...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

Yeonsoo Kim, "Sweet Home," 2024, Porcelain moon jar,, colored clay, underglaze, 15 × 14 × 14 inches Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, contemporary expression, crafting pieces that chronicle his personal and artistic journey. Drawing inspiration from Korea’s rich ceramic heritage, he redefines Onggi, a centuries-old practice originally used for functional pottery, by infusing it with vibrant colors, unconventional forms, and playful, stylized motifs. His hand-shaped vessels and sculptures become dynamic, modern narratives that capture his thoughts and experiences in clay. Kim’s technique involves spontaneous surface decoration using Sgraffito and calligraphy brushing, resulting in intricate designs featuring whimsical figures, animals, and objects. His work is driven by memories, relationships, and emotions, evolving organically without preplanning, embracing "freedom over perfectionism." Through his reinterpretation of Onggi, Kim merges tradition and modernity, offering a fresh expression of cultural storytelling in each piece. Working with both porcelain and iron-bearing clays, he tailors each material to the expressive qualities of his designs, revitalizing a millennia-old craft for the modern era. Yeonsoo Kim states, "My work serves as a canvas for a diverse cast of characters, engaging in silent conversations that speak volumes through their nuanced expressions. These characters, often resembling self-portraits, invite viewers into a world where implied images and narratives converge. My work reflects my ongoing quest for artistic identity by exploring the intricacies of daily existence. I delve into the depths of human emotion through recurring motifs, transforming abstract inner experiences into tangible visual realities." Yeonsoo Kim earned a BFA in ceramics and glass from Hongik University in Seoul, an MFA in ceramics from the Lamar Dodd School of Art at the University of Georgia, and has held apprenticeships with master Onggi artisans Hayngjong-Oh in Jeolla-do and Jinkyu Huh in Gyeongsang-do, Korea. In 2020, Kim was recognized as one of the top six Emerging Artists by the National Council on Education for the Ceramic Arts (NCECA). His work has been exhibited nationally and internationally, most recently being selected for the prestigious 12th International Ceramics Biennale Competition at the Korea Ceramics Foundation in Gyeonggi. Kim has participated in several artist residency programs, including the Korea Ceramic Foundation, Montana State University, the Morean Center for Clay in St. Petersburg, FL, and the Archie Bray Foundation in Montana. ceramic sculpture...

Original Painting: Terracotta Relief With Acrylic Painting on Wood Panel Hand signed These works are paintings with a 3D carved sculpture dimension to them, fusing sculpture with painting Mixed media on board depicting a romantic couple, a woman seated on a man's lap. Mark Kanovich...

"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth" This piece was handmade in the hea...