Mary Fedden Art

Mixed media on paper Paper size: 8 1/4 x 9 3/4 inches Framed size: 21.5 x 23 inches Signed lower left

A wonderful reproduction of Fedden's 1996 still life study of a sunflower still life. Signed in graphite and inscribed in graphite with the print number 280/550. Presented in a conte...

A wonderful reproduction of Fedden's 1994 still life study 'Red Sunset'. Signed in graphite and inscribed in graphite with the print number 241/500. Also bearing a blind stamp for th...

Watercolour on paper Paper size: 7.75 x 4.75 inches Framed size: 23 x 20 inches Signed and dated 2006 lower left

Mary Fedden (British, 1915-2012) Still life with cow through the window Pencil and watercolour on paper Signed and dated ‘Fedden, 1974’ (lower left), with a further dedication ‘For dear Jo and Michael with inexpressible gratitude and love, Mary / February 26 1974’ 29.1/4 x 21.3/8 in. (74.3 x 54.2 cm.) This is a particularly large example which veers away slightly from her usual style, perhaps because it was specifically for some dear friends of hers. She has spent a lot more time than usual detailing the still life and the shading on the cows as well as the flowers in the meadow...

"Still Life with Greek Village in Distance" Pencil drawing with water colour on Indian Rag Paper by Mary Fedden RA (1915 - 2012). Always recognizable wit...

Watercolour painting by Mary Fedden. Purchased from a private client who bought it from the artist. An open window with a view to a village in the distance. The painting is mounte...

Collage & gouache on paper Paper size: 7 x 6 inches Framed size: 22.25 x 21.25 inches Signed and dated 1985 lower right

Mary Fedden OBE RA RWA (British, 1915 -2012) The black horse Gouache on paper Signed and dated ‘Fedden 1986’ (lower right) 5.5/8 x 7.7/8 in. (14.3 x 20 cm.) Mary Fedden is viewed as a highly important figure to British 20th-century art history. She is one of Britain’s best loved and most collectible artists. Her paintings can be found in many private art collections including HM The Queen for Windsor Castle, Prince Hassan of Jordan, the Tate Gallery, Bristol City Art Gallery and The Royal Academy. This beautiful example of Fedden’s work highlights the rustic charm and simplicity that Fedden is so brilliant at conveying. With only a few elements to her composition and with a limited colour palette she manages to create a bold and intriguing image that stands out in its own right. Mary Fedden studied at the Slade from 1932 – 1936. She returned to Bristol where she painted and taught until World War II. After the war was over Fedden developed her own style, reminiscent of Matisse and Braque. In 1951 Mary Fedden married Julian Trevelyan. In 1956 she became a member of the London Group and the chair person...