Mash Buhtayduss Photography

Photography on canvas. Limited Edition (2/10). O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel...

Digital phone art collage Available in two sizes: 24 x 36 in 36 x 48 in Robert Fleischman is a recording artist/singer songwriter/producer who played...

The contemporary work on paper is both art and photography, highlighting color fields. Both photography and painting, Tell Me A Story I, 2025 by Roberta Fineberg (RF) is 16 x 16in on...

'Surfer's Dream' mixed media on canvas - Seascape Painting 2021 Acrylic paint and photography on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camer...

Andrés Triptych, 1999 by Celso José Castro Daza From the Series Guerreros One-of-a-kind Photomontage on archival paper Overall size: Sheet Size: 27.5 in. H x 58.5 in. W Individual si...

Venice - Signed limited edition archival pigment print on textured paper - Edition of 8 Photography : 2002 Bichromate print : 2012 Pigment print : 2020 Several negatives w...

"Abandoned Trading Post (Mural) Near Grants, NM" is a color photograph print on canvas by Thomas Ferderbar. This artwork is from his "Route 66 Series" and is signed lower left. This piece depicts a mural on a dilapidated wall whose colors have begun to chip and fade. 40" x 27 1/2" canvas 40 3/4" x 28 1/4" frame I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

This photograph is representative of two related series of mine that deal with humanity's impact on and relationship with the earth. This relationship is not sustainable. Lately, I have begun to dream of our tortured earth with the remains of our hubris drifting through space, mined to extinction. This work is an attempt to tear through the ugliness of the world we have made, through the blindness of our voracious appetite to the vastness beyond, where beauty cares not for our perception of it. As Robinson Jeffers wrote: “The beauty of things was born before eyes and sufficient to itself; the heartbreaking beauty/ Will remain when there is no heart to break for it.” -- William Lesch

Mixed media. Photography and acrylic paint on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his t...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints fo...

Mixed media. Photography and acrylic paint on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his t...

Mixed media, photography and acrylic paint on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel in his paintings but to redefine it. The skies, the ocean, clouds and cityscapes are for anyone to recreate, but capturing these layers that surround the image is where Devan's genius lies. Layers of paint on photography...

Mixed Media on Canvas featuring the inimitable Keith Richards. Photographed by the artist himself. About the Artist: Steve Joester is a British-born Rock & Roll photographer an...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the...