Massimo Morozzi Furniture

This exceptionally rare and large 'Kono' table, which works excellent as either a dining table or a desk, by Lella Vignelli and Massimo Vignelli was designed in 1984 and this example created in the mid-to-late 1980s by Casigliani in Pisa, Italy. This rare example of the 'Kono' design features a monumental Black Granite slab for the top, two thick slabs of Imperial Red Granite which connect together to form one of the bases, and the Vignellis signature Patinated Copper cone which forms the other base. The 'Kono' design was normally made as coffee tables so it is quite rare to find examples made scaled up in dining table size. In addition, typical Kono tables were made with glass tops and a single slab granite base. This example however, the Vignellis selected Black Granite instead of the typical glass tops. Also, rather than using a rectangular single-slab base, this example features an L-shaped base constructed with two slabs that connect together along one angled edge. It still employs the cone-shaped patinated copper base typical of Kono tables, however this example is much larger of course than cocktail table versions. The Vignelli Center for Design Studies, which houses the artists’ archive, confirmed this table to be one of two known drawings by the Vignellis (a copy of the Vignelli sketch, which they provided, is included in the photo gallery) though it is unknown if the other table was ever produced, making this table potentially an important one-of-a-kind. The Black Granite top in lower light settings is dark, deep and mysterious. With direct sunlight its luminosity is intense - see the photo gallery for images of the table in direct sunlight from our skylight above. It glows, shines and shimmers with incredible vibrancy, similar to diamonds - to see it in person is quite exquisite and remarkable. While we only had it set up under our skylight for a couple hours, I would describe the experience as recharging - I felt like I had just spent a couple hours meditating, this would be incredible to wake up to every day before leaving to work. The Vignellis described the 'Kono' table as: “This design exploits the relationship between geometrical figures and material finishes." Over the course of their four-decade-long design practice, Lella and Massimo Vignelli collaborated on projects that ranged from product design and brand identity to interior and furniture design. Whether designing New York City’s subway map...

Stunning Mid-Century coffee table Model 771 in walnut wood designed by Afra and Tobia Scarpa and produced by Cassina, in Italy during the 1960s. The table is signed inside one of the...

"MT2" is an iconic sculptural polyethylene monobloc sofa, designed by Ron Arad and manufactured by Driade, sand white colored outside and red, lilac, black or violet colored inside. ...

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This table can work as a console table or also as an elegant dining room table or desk. It’s a practical and elegant piece. What makes it so ...

"Tokyo-Pop" is a white or black anthracite polyethylene monobloc iconic sofa, designed by Tokujin Yoshioka and manufactured by Driade. White version only is available in quick ship. Indoor and outdoor use. DIMENSIONS: D. 30.7", W. 69.5", H. 29.7", Seat H. 16.5" Tokyo-Pop collection was Tokujin Yoshioka's debut on the international design scene in 2002. Now he's considered as one of the masters of contemporary design. With his set of sofa, armchair and especially chaise longue and stool he seems to ignore the trivial qualities of rotational plastic molding and turn them into real sculptures featuring unforgettable and unusual forms. TOKUJIN YOSHIOKA, born in Japan in 1967 and winner of many awards, with pieces on display at the MoMA and the Cooper Hewitt in New York, the Victoria & Albert in London and the Vitra Design Museum, trained along with Shiro Kuramata and Issey Miyake, opened his own studio in 2000, and has worked with Japanese and international companies such as Hermès, Toyota, BMW and Swarovski, designing showrooms and installations. As a result of the success of the Honey-pop paper chair in 2001, he began establishing increasingly close links with the world of interior design, developing projects for Driade, Moroso and Kartell, amongst the others. The main feature of his creations is their poetic, light, dreamlike quality. His products, interiors and installations are the result of painstaking, complex research carried out on simple materials, combined with experimental technology. The awards he won include Design Miami...

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