Massimo Morozzi Center Tables

The quest for the balance in the proportions, the simplicity of the basic shapes and the minimalist construction are the design bases of the Ocum Collection. Versatile side tables, w...

This coffee table is truly original, thanks to its material and the zebra stripes all over the table. It is both large and light, thanks to its transparency. It's a typical French pi...

Mid-Century Modern Infinity coffee table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Infinity marble coffee table ca...

Superb highly carved late 19th century antique oak round entry, coffee, sofa, center, parlor or end table ~~Victorian Era Renaissance Revival ~~c. 1890s T...

Mid-century side coffee table "Servomuto" designed by A. Castiglioni for Zanotta, Italy 1974. Signed. Artist customized with new finish.

Coffee table with white ornate base and glass top. Traditional design with classical elements.

Iconic Mid-Century Modern coffee table designed by Paolo Piva for B&B Italia, Italy, in the 1970s. This is the sought-after Alanda model, featuring a geometric black lacquered tubula...

Unique Side Table, Postmodern, 80s, Glass, Plaster Base, End Table, Nightstand, Mid Century Vintage from the 1980s Measurements: 22.25" H x 24" D x 27" W Glass Height: 19.5" Conta...

Wood frame coffee table with gilt brass inserts, clear glass top, 1980s, Italian design. CONDITION: In good condition, may show signs of wear given by time. DIMENSIONS: Height 33 c...

Rare Pair of colorfoul Italian nightstands from the 80s era. Made of rattan, bamboo and glass. In excellent vintage condition.

Coffee table, metal base and marble top.

A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...