Massimo Reggiani Art

Profusion of Flowers Dutch School style, late 20th century oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Cornwall, England condition: a few minor su...

Classical Still Life of Flowers European Artist, 20th century oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Cornwall, England condition: very good a...

Ettore Cosomati (Naples 1871 - Milan 1960) Still life of Marigolds with lemons and pipe Oil on canvas in gilded frame Size: 53 x 45 cm (73 x 64 cm inc...

Floral with Urn is in a classical Dutch style that dates to the 17th century. The bright flowers drape the urn in whites, crimsons and pinks, standing out against the darker foliage and flowers on a dark background. The artist is unknown and the age is unknown, but the beauty is unmistakable. Oil on canvas, the petals stand out with brushstrokes heavy with paint. The background paint is rough. In the 17th century paint was mixed with gesso or chalk, with particles forming an uneven surface. This background is in the same style in shades of black and brown. THe painting presents well on canvas stretched over an aged wooden stretcher. The painting has been restored and relined at some point, obscuring the back of the original canvas. The flower colors remain bright. Canvas sight is 30" wide and 50" high. There is no frame. There are small nicks and wear consistent with age. The precise date is unknown but aspects of the work suggest a date later than 19th century, and possibly 17th century that is more typical of this style. Dutch flower still life painting...

Ecole hollandaise XIXe, Huile sur toile “Nature morte au panier de fruits” Bon état général malgré un vieillissement du vernis Encadrement simple de baguettes bois peintes Dimensions...

Work on wood Molded frame in wood and gilded plaster 74 x 65 x 3.5 cm

Follower of Giuseppe Arcimboldo (19th-20th century) - Autumn. 144.5 x 97 cm. Oil painting on canvas transferred to a panel, without frame. - The work is based on the painting by G...

Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...

Artist/School: G. Wabarwick (20th Century), signed Title: Mixed Flowers Classical Still Life Medium: oil on canvas, framed Size: the canvas is 40 x 30 inches; the frame adds anoth...

17th century Dutch Still-life, An opulent table with a roemer, oysters and wine attributed to Pieter Van Berendrecht The present painting is a beautiful and characteristic example of the 17th century Dutch genre of "Monochrome Banketjes". An opulent meal is depicted on a large table, which has been covered by a dark grey tapestry and a white table cloth. On luxurious silver plates, several delicacies are being presented amongst which are a large ham, bread, oysters and a lemon. A roemer, surrounded by an elegant vine and a wine flute have been delicately placed between these plates. An intricately decorated silver cup, a salt cellar, an earthenware mustard cup and other accroutements further enrich the composition, creating a feast for all senses. The painter wonderfully captured how each of these objects reflect the light in their own distinct way, it is a testament to his skill that the painting looks so realistic, almost like a 17th century photograph. Pieter van Berendrecht or Pieter Jansz. van Beerendrecht (Haarlem, 1616 - Weesp, 1672) was a painter active in the Dutch Golden Age, who specialized primarily in still-lifes and monochrome banquet scenes. His paintings are known for their monochrome style, influenced by Haarlem painters Willem Claeszoon Heda and Pieter Claesz. The monochrome banquet scenes he specialized in often featured a limited palette, emphasizing subtle variations in tone and texture, which required a high level of skill to execute effectively. A precious pack of black peppers can be seen to the far right, this was a very expensive and coveted possession. These works commonly depicted tables set with an array of foods, drinking vessels, and other dining accoutrements, arranged with a keen sense of composition and lighting. Van Berendrecht was born on May 5th, 1616, in Haarlem as the son of Johannes Pietersz. Berendrecht. He became a member of the local Saint Luke's Guild in 1632. Van Berendrecht's association with the Saint Luke's Guild in Haarlem suggests he was well integrated into the artistic community of his time. The Guild was an important institution for artists, providing them with support and promoting their work. His status as a master painter by 1642 indicates his recognition and respect within this community. Pieter married in Haarlem in 1644 and remarried in Amsterdam in 1653. In 1662, he was a witness at the wedding of his son Pieter in Weesp, who would later follow him in his footsteps as a painter. Van Berendrecht is also mentioned by his contemporary and fellow painter Vincent van der Vinne...

Ornamental Still Life with fruit, flowers and birds Italian School, 19th century oil painting on canvas, unframed size: 31.5 x 47 inches condition: relined canvas and in very good and presentable condition provenance: from a collection here in England. A very beautiful and decorative oil painting on a huge scale, depicting this classical landscape scene, with ornamental birds...

Ornate Classical Fruit Still Life Italian School, 17th century oil on canvas, unframed canvas: 22 x 27 inches provenance: private collection, UK condition: very good and sound condi...