Maxime Lalanne Art
French, 1827-1886
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching of the port of Bordeaux in winter.(Biography provided by Timeless Intaglio)
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Une rue de Rouen
By Maxime Lalanne
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Maxime Lalanne Art
Materials
Etching, Drypoint, Laid Paper
"Fribourg" original etching
By Maxime Lalanne
Located in Henderson, NV
Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 5/8 x 7 1/4 inches (116 x 182 m...
Category
1860s Maxime Lalanne Art
Materials
Etching
"Rade de Bordeaux" original etching
By Maxime Lalanne
Located in Henderson, NV
Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 6 1/8 x 9 1/2 inches (152 ...
Category
1880s Maxime Lalanne Art
Materials
Etching
Traditional Village, Church of Essomes - Original etching
By Maxime Lalanne
Located in Paris, FR
Maxime Lalanne (1827 - 1886)
Traditional Village, Church of Essome
Original etching
Printed signature in the plate
On vellum 32 x 48 cm (c. 13 x 19 in)
Very good condition, minor d...
Category
Mid-19th Century Modern Maxime Lalanne Art
Materials
Etching
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category
Late 19th Century Maxime Lalanne Art
Materials
Etching
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Maxime Lalanne art for sale on 1stDibs.
Find a wide variety of authentic Maxime Lalanne art available for sale on 1stDibs. You can also browse by medium to find art by Maxime Lalanne in etching and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Maxime Lalanne art, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Charles Courtry, Pierre Quentin Chedel, and Eugene Corneau. Maxime Lalanne art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $460, while the average work can sell for $150.