Maximilien Luce Art

Excellent proof on china paper applied on vélin, before the edition of L'Estampe Originale. Hand signed in pencil lower right. Full margins. Good overall condition with light age t...

Signed still life oil on canvas circa 1910 by French impressionist painter Maximilien Luce. The piece depicts a vase filled with red poppies. Signature: Signed lower right Dimensio...

Maximilien Luce 1858-1941 French Femme mettant ses bas (Woman putting on her stockings) Pastel on paper Signed "Luce 89" (lower left) Maximilien Luce’s Femme mettant ses bas is a...

Signed figures in landscape oil on board circa 1908 by French impressionist painter Maximilien Luce. The piece depicts workers on the Rue de Paris in Saint-Denis, a commune in the northern suburbs of Paris, France. The workers are unloading their bags from horse and carts. Signature: Signed lower left Dimensions: Framed: 8.5"x28.5" Unframed: 4"x24" Provenance: Private collection - Switzerland This work is included in the catalogue raisonne of the works of Maximillien Luce...

Signed landscape oil on board circa 1905 by French impressionist painter Maximilien Luce. The piece depicts an evening winter scene, with the roofs of the red cottages covered in sno...

Signed figures in landscape oil on panel circa 1895 by French impressionist painter Maximilien Luce. The piece depicts people walking in the shadows of the trees at the Market of Gis...

Transfer lithograph on Chine collé/wove paper, from “L’Estampe originale, Vol. VI.” signed in pencil by the artist. Edition of 100 prints. Autographie (Calcography on paper transfer ...

Maximilien Luce (French, 1858-1941) Les baigneurs au jet d'eau. Swimmers At The Fountain. A stunning Art Nouveau, Art Deco Pathetic style evening scene of nude swimmers at a pond with a water fountain in the moonlight. The greens and lighting are magnificent and masterfully executed. This painting is a masterpiece and worthy of any Museum wall. Oil on canvas Artwork: 21.25 x 29.25 inches (54 x 74.3 cm) Framed: 26.75 X 34.75 Signed lower left: Luce Provenance: Galerie Heim, Paris, 1931; Private collection; Sale: Larsen Art Auctions, Scottsdale, Arizona, September 18, 2019, lot 190; Acquired by the present owner from the above. Literature: D. Bazetoux, Maximilien Luce: catalogue raisonné l'oeuvre peint, volume II, Paris, 1986, no. 2645, p. 603, illustrated. More information about Maximilien Luce, also known as Luce, Maximilien, Luce, Maximillian, . Condition: Relined, professionally cleaned, varnished with Museum Dammar. Excellent condition. Original frame with ware and restorations. Presents beautifully! Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Maximilien-Jules-Constant Luce was born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in 1864. In 1872, the fourteen-year-old Luce became an apprentice with wood-engraver Henri-Théophile Hildebrand (1824–1897). During his three-year xylography apprenticeship, he also took night classes in drawing from instructors Truffet and Jules-Ernest Paris (1827–1895). During this period, Luce started painting in oils. He moved with his family to the southern Paris suburb of Montrouge. His art education continued as he attended drawing classes taught by Diogène Maillard (1840–1926) at the Gobelins tapestry factory. Luce began working in the studio of Eugène Froment (1844–1900) in 1876, producing woodcut prints for various publications, including L'Illustration and London's The Graphic. He took additional art courses, at l'Académie Suisse, and also in the studio of portrait painter Carolus-Duran (1837–1917). Through Froment's studio, Luce became friends with Léo Gausson and Émile-Gustave Cavallo-Péduzzi. These three artists spent time around Lagny-sur-Marne creating Impressionist landscapes. Luce spent four years in the military, starting in 1879, serving in Brittany at Guingamp. The next year, he received a promotion to corporal, and he became friends with Alexandre Millerand, who, in 1920, assumed the office of President of France. In 1881 he requested the restoration of his lower rank of soldier, second class. Carolus-Duran used his influence to get a transfer for Luce to Paris barracks. His stint in the military came to a close in 1883. The prevalence of the new zincography printing process rendered xylography nearly obsolete as a profession. When the opportunities for employment as an engraver became scarce, Luce shifted his focus to painting full-time in about 1883. Gausson and Cavallo-Péduzzi introduced Luce in about 1884 to the Divisionist technique developed by Georges Seurat. This influenced Luce to begin painting in the Pointillist style.[4] In contrast to Seurat's detached manner, Luce's paintings were passionate portrayals of contemporary subjects, depicting the "violent effects of light".[5] He moved to Montmartre in 1887. Luce joined the Société des Artistes Indépendants and participated in their third spring exhibition, where Paul Signac purchased one of his pieces, La Toilette. Camille Pissarro and critic Félix Fénéon were also impressed by the seven Luce works displayed in the show.[4] Fénéon characterized Luce as a "coarse, honest man, with a rough and muscular talent".[6] In addition to Pissarro and Signac, he met many of the other Neo-impressionists, including Seurat, Henri-Edmond Cross, Charles Angrand, Armand Guillaumin, Hippolyte Petitjean, Albert Dubois-Pillet, and Pissarro's son Lucien.[4] A New York Times critic declared this Pointillist period to be the pinnacle of Luce's artistic career, singling out the radiant 1895 painting...

A beautiful oil on board circa 1915 by French Impressionist painter Maximillien Luce depicting the silhouette of a steamer boat at sea as the sun sets...

Oil on paper. Signed lower left. Framed dimensions are 16 inches high by 22 inches wide. A certificate of authenticity is available for this work from Mme Denise Bazetoux. Maximilie...

"Guernes, la passerelle sur le bras de la Seine" A large oil on canvas by popular French artist Maximilien Luce. A completely magnificent and superb pie...

A stunning oil on canvas by popular French artist, Maximilien Luce. A perfectly coloured and superb piece. Signed and dated 1931 lower right. Framed dimensions are 20 inches high by ...

Enfant Assis is a beautiful artist proof (autographie) on vélin realized by Maximilien Luce around 1895. Signed in pencil by the artist on the lower right margin and then titled and ...

Oil on panel circa 1920. Signed lower left. Framed dimensions are 12 inches high by 13 inches wide. Included in the catalqgue raisonne of the painter by Denise Bazetoux. Maximilien ...

Oil on canvas circa 1922. Signed lower right. Framed dimensions are 18 inches high by 28 inches wide. Authenticated by Madame Denise Bazetoux and included in Tome III of the Catalogu...