Michael Dee Art

Central Park is part of a group of prints based on a visit to New York City, Because I live and work in quiet isolation and often don't meet anyone apa...

Like a poetic storyteller, Modern Art Etc promotes American photographer Peter Leung’s fine art photography captures the natural beauty and landscape in China. With immaculate composition that comes from planning and patience, waiting for the best natural light and objects to fall into place, the resulting images evokes the spirit of the place and its people. Pictorialism and art conjoin to produce something acutely poetic. One wonders when looking at his pictures – is this a photograph or a painting? ABOUT THIS WORK “Huangshan C”, China The famous Huangshan, (literal translation "Yellow Mountains"), a UNESCO World Heritage Site, is a mountain range in southern Anhui province in eastern China. The materials comprise of ancient rocks...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

ATO>MIC #15, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Hand Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 18 x 23 cm 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity Instead of using carving...

"Removal of Self #70" Photography 22" x 14.5" inch Edition 1/1 by Ben Cope Signed by the artist. Comes with COA issued by the artist. Medium: Photo on deconstructed paper Ben Cope...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Inspired by East Asian Sumi ink drawings, George McLeod wanted to find a photographic way of producing intricately detailed images. As with Sumi ink drawing, fire is both controllabl...

In Camera Multiple Exposure of two iconic New York Landmarks merge together in a harmony of soft colors and overlapping shapes . Signed and dated on ...

The item White Books could be also delivered framed. I like the color, the quietness of the situation when I took the picture. Edition of 15, signed by the...

Tricia Sample Boat, Barn, Truck 1977 Matte black and white photo 12.5" x9.5" Frame measures 16.25"x19.25" Gallery label on reverse from the Friends of Photography Gallery Friends of Photography was a nonprofit organization started by Ansel Adams and others in 1967 to promote photography as a fine art. During its existence the organization held at least 330 photography exhibitions at its galleries in Carmel and San Francisco, California, and it published a lengthy series of monographs under the name Untitled. Among those who were featured in their exhibitions and publications were well-known photographers Ansel Adams, Wynn Bullock, Ruth Bernhard, Harry Callahan, Roy DeCarava, Lee Friedlander, Emmet Gowin, Mary Ellen Mark, Barbara Morgan, Aaron Siskind, Paul Strand, Brett Weston, Edward Weston and Minor White, as well as then newly starting photographers such as Marsha Burns, William Garnett, Richard Misrach...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...