Michael Kidner Prints

Gorgeous photo print by the iconic photographer and fashion designer Karl Lagerfeld of Max Delorme. Image captured and satin finish umber photo-lithograph printed in 1997. Measures: ...

From: ‘Luz da Liberal e Nobre Arte da Cavallaria’, by Manoel Carlos de Andrade, Lisbon, Regia Officina Typographica, 1790. This work on riding and horsemanship was the first book on ...

Very cool original Op Art blue and silver screenprint, TUZ, by Victor Vasarely from 1974. Signed in the lower right hand corner, numbered 291/340 in the lower left. This has the orig...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Victor Vasarely (1906–1997) Untitled (Op Art composition in blue and green) Signed and numbered lithograph, edition 170/190 Size: 71 × 67 cm (27.95 × 26.38 in) Description This ...

This vintage framed Victor Vasarely serigraphy Raura VAS 630. Authentic hand signed and numbered in pencil by Vasarely. Image size 30 x 26.5 inches. This has been professionally v...

Excellent serigraph by American Op Art artist Roy Ahlgren (1927 - 2011). This piece named "Stratification" is signed, dated (1980) and numbered (74/145) by the artist in pencil. O...

Screenprint in good condition by the Italian Op-Art artist Getulio Alviani. Getulio Alviani (1939-2018) was an Italian painter, object artist and repre...

Presenting a lovely limited edition etching, namely, “The Souk” limited edition etching by Azoulay Guillaume. From 1982 the etching is numbered an...

Three Dogs – Antique Etching by Samuel Howitt from 'Miscellaneous Etchings', 1812 This charming early 19th-century etching by Samuel Howitt (1756–1822) depicts three dogs in a momen...

Roy Lichtenstein Lithograph for the St. Louis Art Museum, 1981. Whitney Museum of American Art September 22 - Novemver 29, 1981 Organized b...

Jim Dine lithograph pencil signed and numbered of a small edition 16/21, executed in 1979. In newer frame. Titled Nancy in. Jerusalem {through the window}. Jim Dine, byname of James Dine, (born June 16, 1935, Cincinnati, Ohio, U.S.), American painter, graphic artist, sculptor, and poet who emerged during the Pop art period as an innovative creator of works that combine the painted canvas with ordinary objects of daily life. His persistent themes included those of personal identity, memory, and the body. Dine studied at the Boston Museum of fine Arts School and at Ohio University. He moved to New York City in 1958, and there he became part of a group of artists who initiated Happenings, an early form of performance art. His early work consists primarily of images on canvas to which three-dimensional objects (e.g., articles of clothing, garden tools) are attached. His Shoes Walking on My Brain (1960), for example, is a childlike painting...