Nanda Vigo Lounge Chairs

Bubble club armchair in light grey. Dimensions: Height 30.75 in, width 40.15 in, depth 29.5 in.; Unit weight: 17 kg. Made of: Polyethylene. Outdoor use.

The notable Ruster Danish lounge chair by Swedish designer Yngve Ekström and edited by Pastoe in the 1960s. The leather is in its original condition, the frame has been expertly re-f...

Rare and unique pair of Guillerme et Chambron lounge chairs, oak and fabric, France 1960's. The oak is in great condition and the fabric - cushions are new. A very comfortable pair o...

Lodovico Acerbis for Acerbis, sofa, model 'Gem', leather, acrylic, chromed metal, Italy, 2002 True to its name, the Gem sofa by Lodovico Acerbis for Acerbis is a rare and refined ex...

Stunning "Zen" chairs in chenille fabric designed by Kwok Hoi Chan and manufactured by Steiner in France circa 1970. These chairs are a true masterpiece of minimalist design and ex...

Rotating armchair covered with a Cat.C Cloud leather drapery. Padded seat. Metal base with RAL 7005 "mouse-gray" lacquering. FINISH: Cat.C Cloud Leather The Drapé collection boasts...

Robust and heavy massive oak lounge chair with ottoman, both upholstered in goathide. Brutalism is a movement within architecture that originated from modernism. It is characterized ...

Maurice Rinck, lounge chair, reddish brown leather, beech, France, 1940s Grand and comfortable club chair in leather upholstery. Truly extraordinary and luxurious chair that feature...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in fuchsia or blue faux fur. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The "Blocco" seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in black Mongolian fur or in Loira velvet. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The “Blocco” seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...

A lounge chair hand built by us in Norwalk, Connecticut upholstered in a soft faux tiger fur. This piece features a super comfortable sloping design for ulti...

An explosion of organic, enveloping forms, conceived as both furniture and sculpture. Its silhouette is defined by soft, generous curves and a commanding backrest that cocoons the bo...