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Acerbis Armchair DuePiù in White by Nanda Vigo
About the Item
Featuring aesthetics that speak a language of the Future, the Due Più armchair can be considered one of Nanda Vigo’s manifesto-projects, the synthesis of her two souls: her esprit de géométrie evident in the light-reflecting minimal metal structure and her eccentric and pioneering spirit. A surprising and enigmatic object with a unique physiognomy conferred by the use of the two rollers that seem to float. Although its appearance suggests otherwise, all three modes of use are surprisingly ergonomic and comfortable: regular sitting, side sitting with one arm resting on the upper roller, and reverse sitting, in which the roller-back becomes the perfect support for the forearms. It is reinterpreted today with a steel frame and fur recovered from food industry waste, in a logic of circular economy that makes it compatible with the contemporary ethos.
Back and seat
The seat and back are padded with single-density polyurethane foam in a Ø19 cm cylindrical shape upholstered in Mongolia goat fur in white, black and rust. This upholstery gives the rollers a voluminous elegant effect.
Structure
Sled frame in Ø3 cm tubular metal with chrome finish. Plastic feet.
- Creator:Acerbis (Manufacturer),Nanda Vigo (Designer)
- Dimensions:Height: 28.35 in (72 cm)Width: 20.08 in (51 cm)Depth: 17.52 in (44.5 cm)Seat Height: 18.51 in (47 cm)
- Materials and Techniques:
- Period:
- Date of Manufacture:2023
- Production Type:New & Custom(Current Production)
- Estimated Production Time:15-16 weeks
- Condition:
- Seller Location:Brooklyn, NY
- Reference Number:Seller: F0651511stDibs: LU1639234706852
Available in white, Black and Rust
About the Seller
4.8
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Established in 2015
1stDibs seller since 2015
2,258 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Mariano Comense, Italy
- Return PolicyThis item cannot be returned.
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DIMENSIONS:
D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1"
The "Blocco" seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat!
Nanda Vigo said about "Blocco":
"Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need."
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DIMENSIONS:
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The “Blocco” seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat!
Nanda Vigo said about "Blocco":
"Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need."
NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan.
The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe.
Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event.
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