Nguyen Quang Huy Art

This painting is made by Dutch artist/painter David van der Linden. Painted with oilpaint on canvas. David van der Linden studied at the Academ...

Realist Leopard Portrait Wild Cat Painting from British Wildlife Tiger Artist. The vivid realism of the hairs & whiskers coupled with the intensity of the leopard's eyes make this pa...

I like to give things an authentic, almost "everyday" feel with fictionalized scenarios and something personal to the object being drawn, I like them to be quite simple, such as a se...

Mid Century Portrait of Raymond L. Hanson, Large-Scale Photo-Realist Figurative Refined and austere large-scale by W.S. Bylityplis (American/France, 19th-20th Century), dated 1963 with California crest. This photo-realistic portrait depicts the subject, Raymond L. Hanson, with impressive realistic detail. Signed and dated lower right corner. Unframed. Measures: 48"H x 36"W. About the artist: W.S. Bylityplis (American/France, 19th-20th Century), was an illustration and portrait artist during the 19th and early 20th century. About the subject: Portrait subject Raymond Hanson, was a lawyer whom establish the Hanson...

"Restraint" Oil Painting 43" x 35" inch by Anastasiia Danilenko Ships rolled in tube Anastasiia Danilenko is an artist and graphic designer. But the area of her occupation is pain...

"Sentinel" (2024) by Jessica Cook is an original, handmade oil painting on canvas mounted on panel. This piece depicts a hawk sitting in an abstracted tree.

"Last Night" Figurative Oil Painting 43" x 39" inch by Yousra Hafad Yousra Hafad is a teacher at the Faculty of Art Education in her native Luxor. Her pa...

Forever Worship, 2012 Oil on canvas (Signed on reverse) 86.61H x 47.24 W in 220 H x 120 W cm "Worship" represents the worshiped objects of the consumerist society – oil, money and t...

A Geometric Play of Masks, Eyes and Lines. Post war Expressionism. 1970's. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on canvas, very textural and colorful. Patr...

"Lady in Waiting II" Figurative Oil Painting 55" x 39" inch by Yousra Hafad Yousra Hafad is a young artist who excels in portraiture and particularly the...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

This oil on canvas painting by Halin De Repentigny, measuring 40 inches by 60 inches, captures a swirling composition of intertwined human forms, evoking a powerful sense of movement...