Nikki Rudolph Art

Liz Jaff creates intricate constructions which use repetition, patterns and forms from nature and architecture to explore ideas of love, commitment, sacrifice and memory of time and ...

Cups "B" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

This abstract boat wall sculpture by Danish artist, Jane Balsgaard, is constructed with iron, bamboo, willow, fishing line and handmade plantpaper...

'Untitled Wallpaper Abstraction #38' 2024. Found wallpaper collage on wood form, 32 x 32 x 5 in. is a multicolor, abstract geometric sculpture featuring carefully cut pieces of found...

Cups "C" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Constructed of painstakingly shaped shreds of magazines, catalogs, and security envelopes, her materials facet into intricate explorations of symmetry, design, and transfiguration. ...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

'Untitled Wallpaper Abstraction #42' 2024. Found wallpaper collage on wood form, 40 x 32 x 7 in. is a multicolor, abstract geometric sculpture featuring carefully cut pieces of found...

Sylvia Schwartz In her structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist’s own fingerprints. Leaving the human trace evident through the repetition of shapes and textures in both the natural and man-made elements, provides a measure of stability, a reference point. These manmade and natural forms merge, revealing our inexplicable dependence on nature. Through this melding of two entities, new life is breathed into the art object. Paper as a primary medium allows Schwartz to sculpt, draw and paint simultaneously. The flow of the pulp (a natural phenomenon in itself) meshes with the molded forms creating a structure that seems to rest on the edge between painting and sculpture. The duality between light and heavy, interior and exterior, planned and accidental, order and chaos, leading ultimately to a sense of life. Red...

Original multicolored hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 16"h x 21"w. This piece ships in the pictured black frame. Cha...

The
 natural 
world
 is 
her 
inspiration, 
giving
 special 
attention
 to 
reflect 
movement
 as 
a 
way
 of
 exploring
 not
 only
 physical
 but
 emotional
 change.
 Orozco's consi...

Al Loving Have a Nice Day, 1992 Mailbox, acrylic paint, rag paper 8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep Al Loving studied painting at the University of Illinoi...