Otto Heino Decorative Objects

Terracotta Moon Jar No 9 by Elena Vasilantonaki Unique Dimensions: ⌀ 14 x H 18 cm (Dimensions may vary) Materials: Local Terracotta Clay from the Island of Crete Growing up in Greec...

Handbuilt organic modern vase made from a groggy clay body covered layers of glossy and matte white glaze. Each vase is made by hand in our Brooklyn studio, and no two are ever exactly alike. The moon...

Handbuilt organic modern vase made from a groggy clay body covered in a matte black glaze with layers of glossy and crawling black glaze on top. Each vase is made by hand in our Broo...

Handbuilt organic modern vase made from a groggy clay body covered in a matte black glaze with layers of glossy and crawling black glaze on top. Each vase is made by hand in our Broo...

A hand-thrown ceramic vase with a raw, textured surface that embodies the wabi-sabi philosophy of imperfection and natural beauty. Its rich, layered tones and rugged finish make it a...

Vase #531 by Karen Gayle Tinney Quiet symmetry and front-facing fringe details make this vase perfect for display on a shelf or table. Hand formed beige stoneware with blue shi...

A very stylish German Bauhaus studio ceramic vase decorated in black and brown glazes by Heiner Hans Körting (1911-1991) and dating from 1940-50. T...

Very unique tall Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tac...

Small stoneware weed bud vase created by Vivika and Otto Heino of Ojai, California. Vase measures 3.24" by 2.5" and is signed Vivika and Otto beneath. In very good vintage condition.

A wonderful blue-green glaze typical of Chinese "Shiwan" pottery adorns this early 20th Century Chinese storage jar. Shiwan ware is a style of Chinese pottery from the Shiwanzhen dis...

Wheel Thrown Moon Jar by Jason Fox. Largely influenced by Korean Pottery, Jason pays respect to the rich history of Moon Jars with this piece. "Moon Jar...

Elegant white and blue vessel made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...