Paul Dresler Furniture

Brilliant handmade hand glazed Art Nouveau planter jardinière, 1930s Wonderful Art Nouveau period/ monumental ceramic planter jardinière, h...

Rosenthal Studio line white porcelain bisque vase by Uta Feyl, circa 1980s. Stunning curved geometric shape. Measurements: H 5" W 4.5" D 3.5"

A beautiful art deco bronze bowl with amazing patina. Designed by Gunnar Nylund for Äkta Brons, Sweden, 1940s. Excellent condition. Initials 'G.N.' on the front. Stamped 'ÄKTA BRON...

Elegant French Art Deco ceramic plate designed by Roger Méquinion in France during the 1940s. This refined piece features a sophisticated sand-etched decorative motif, showcasing Méq...

Kähler, Denmark, glazed stoneware vase in modern design,  1930s-1940s. Cow Horn technique. Stamped. Measures: 9.5 x 7.5 cm. In perfect condition.

Large Art Deco ceramic platter/ low bowl by Nils Kähler for the pottery work-shop Kähler in Næstved, Denmark. The bowl is decorated with luster verdigris green glaze with a touch ...

Glazed ceramic vase, early 20th century. This is a beautifully glazed Studio Pottery vase made in the early 20th century. It has a very distinct shape with a spherical base and a sl...

Kähler, HAK, glazed stoneware vase, 1930s. Glaze in dark blue shades. Hallmarked. Measures: 31 cm. x 18 cm. In good condition.

Brilliant handmade hand glazed Art Nouveau planter jardinière, 1930s Wonderful Art Nouveau period/ monumental ceramic planter jardinière, handmade and hand-glazed in brilliant blue ...

A beautiful art deco bronze bowl with amazing patina. Designed by Gunnar Nylund for Äkta Brons, Sweden, 1940s. Excellent condition. Initials 'G.N.' on the front. Stamped 'ÄKTA BRON...

Sculptural, heavy Mid Century Modern dark green glass decorative bowl or ashtray was created by Carl Erickson for Erickson Glass Works. The bowl is decorated with controlled bubbles that are radiating from its center; four symmetrically placed indentations can serve as cigarette rests. The pontil is ground. The bowl is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display...

This white Rosenthal Studio-Line vase features an organic, wave-like pattern in blue. The vase has a hexagonal base that opens up to a round top. The designer is unknown, but the pie...