Paul Edouard Delabriere Art

Edition of 17 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in...

Franz Xavier Bergman Austrian (1861-1936) Bronze, signed ‘Nam Greb’ & ‘B’ in a vase. Height: 13½ inches Width: 7¾ inches Rare, large sized version of ‘Windy Day...

Donald De Lue, American (1897-1988), Arcturus, 1980. Renaissance Brown patina. Number 5 of an edition of 12. Signed and inscribed left side of back of base: "De Lue sc. © 80 / 1987...

Jean Didier Debut: 1824-1893. Well listed 19th century French sculptor. He has had auction results over $17,000. We believe this fabulous bronze gladiator to be very rare as we could...

Bronze, dark patinated. Created by Karl Lind, Germany. Cast from 1940. Top on the plinth signed: K. LIND. On the side of the plinth foundry mark: BILDGIESSEREI KRASS. Dimensions: Hei...

This bronze sculpture of a deer is a realistic rendering of the majestic animal. Deer have been the center of literature and art for many cultures across the world. They have also ...

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David was one of his most popular works. The Biblical hero is depicted naked with the head of Goliath at his feet like Donatello's David, but with a turbanned head and sheathing his long sword...

"The strength of the ants, so small, with an apparently weak figure and structure, but endowed with extraordinary strength that corresponds to their size, has always caught my attent...

Waiting For His Lover, Paul Moore bronze sculpture, Native American Flute Outdoor or indoor life size bronze sculpture Paul Moore WAITING FOR HIS L...

The beauty of the human form is captured is this dynamic bronze sculpture of a Muay Thai Fighter. Dean Kugler This Impact (Muay Thai Fighter) bronze 18h x...

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature a...

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...