Paul Gavarni Art

Paul Gavarni (1804-1866) Portrait of a young man leaning on a Chair Signed lower right Black pencil on paper 23.7 x 17.6 cm In good condition Framed : 40 x 34 cm This fine portr...

La Soeur D'Armand is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century...

Juliie Duprat is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. S...

Reading the news is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

"Les Lorettes" is an original hand-watercolored lithograph on ivory-colorated paper by Paul Gavarni (1804-1866). In excellent conditions: Very good conditions. This is an original ...

Le Diable à Paris is an original modern rare book written by Various Authors and illustrated by Paul Gavarni (1804 – 1866) and by Jean Ignace Isidore Gérard (Nancy, 1803 – Vances, 1847) in 1869. Original First Edition. Published by Hetzel & Cie, Paris. Format: 4°. The book includes 816 pages in 4 volumes. Hundreds of lithographs (several are full page Lithographs). Very good conditions. Paul Gavarni (1804 – 1866) and by Jean Ignace Isidore Gérard (Nancy, 1803 – Vances, 1847). Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier (1804 – 1866), a French illustrator, born in Paris. Among his illustrated works were Les Lorettes, Les Actrices, Les Coulisses, Les Fasizionables, Les Gentilshommes bourgeois, Les Artistes, Les Débardeurs, Clichy, Les Étudiants de Paris, Les Baliverneries parisiennes, Les Plaisirs champêtres, Les Bals masqués, Le Carnaval, Les Souvenirs du carnaval, Les Souvenirs du bal Chicard, La Vie des jeunes hommes, and Les Patois de Paris. He had now ceased to be director of Les Gens du monde; but he was engaged as ordinary caricaturist of Le Charivari, and, while making the fortune of the paper, he made his own. His name was exceedingly popular, and his illustrations for books were eagerly sought for by publishers. Le Juif errant, by Eugene Sue (1843, 4 vols. 8vo), the French translation of Hoffman's tales (1843, 8 vo), the first collective edition of Balzac's works (Paris, Houssiaux, 1850, 20 vols. 8 vo), Le Diable à Paris (1844–1846, 2 vols. 4 vo), Les Français peints par eux-mêmes (1840–1843, 9 vols. 8vo), the collection of Physiologies published by Aubert in 38 vols. 18mo (1840–1842), all owed a great part of their success at the time, and are still sought for, on account of the clever and telling sketches contributed by Gavarni. Jean Ignace Isidore Gérard (Nancy, 1803 – Vanves, 1847), generally known by the pseudonym of Jean-Jacques, J. J. Grandville or most commonly simply Grandville, was a French caricaturist. Grandville's ability for political provocation made his work much in demand. He worked in a wide variety of formats, from his first job illustrating the parlor game Old Maid, to illustrated newspaper strips of which he was a master. His illustrations for Le Diable à Paris ("The Devil In Paris"; 1844–46) were used by Walter Benjamin for his study of that city as an urban organism. One of Grandville's supreme achievements, at a time when French printing technology was ascendant, was Les Fleurs Animées, a series of images that are both poetic and satirical. But perhaps his most original contribution to the illustrated book form was Un Autre Monde, which approaches the status of pure...

Gaston De R is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Sig...

Clichy is a satirical illustration, an original hand-colored lithograph on creamy paper realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804-1866), ...

Études D'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Centu...

Le Comte De N is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. S...

Figures is a drawing in china ink realized by Paul Gavarni in the 19th Century. Good conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Figure is an original Contemporary artwork realized in the mid-19th Century by Paul Gavarni (1804-1866). Original Pencil Drawing. Hand-signed. Good condition.

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

The companionship is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Pa...

Portrait is an original lithograph realized by Paul Gavarni in the 19th Century. Good conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Le Mere De Louise is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century...

Le Comte De G is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. S...

Olympe is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed o...

La Gardien des Scelles is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

La Sagge Femme is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. ...

Prudence is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed...

Le Vieux Dud is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Si...

The conversation is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Par...

Le Grand-turc is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. F...

Une partegeuse a Londres is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions except for some foxings. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

L'éloquence de la Chair is a satirical illustration, an original hand-colored lithograph on creamy paper realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Cheval...

Stern looking is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Paris,...

Child-Harold is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Fr...

The conversation is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Par...

Les Partageuses is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions except for some foxings. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19t...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19t...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavar...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavar...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavar...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19t...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19t...

Études D'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing...

Henry Murger is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing...

Études D'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Centu...

Études D'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Centu...

Les Invalides du Sentiment - Oswald is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in th...

Louis Enault is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Le Grand-turc is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. F...

Et quand vous avez pris la Lombardie! is an original artwork realized by the French artist Paul Gavarni (Paris 1804 - Neully Auteuil Passy 1866), . Lithograph print. Table IX of "H...

The affection is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

The bill is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier G...

The affection is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Ciel! Anatole! is a satirical illustration, an original black and white lithograph on creamy paper realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1...

Paul Gavarni (1804-1866) The Puppeteer, Study for "Janvier" Signed lower left Pen and black ink, black ink wash on paper 28 x 20 cm In good condition except some stains particularly ...

Unsigned Edition: 12 (proof before lettering) Provenance: Charles Sessler, Philadelphia Considered by A. & B. as "rare, rare, rare." Reference: A. & B. 256 i/II, proof...

Duval Pere is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

La Veuve Arnold is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Marguerite Gautier is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Louise is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Arman Duval is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Joseph is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Le Soeur DDe Marguerite is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th C...