Paul Sarkisian Art

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Imprimerie Moderne du Lion, Paris, France Publisher: Maeght Editeur, Paris, France Sheet size: 15" x 11" Reference: "The Prints of Ellsworth Kelly - A Catalogue Raisonné: 1949-1985" - Axsom No. Ic, page 179 Condition: In excellent condition Rare Notes: Provenance: private collection - Nacka, Sweden. Produced for Kelly's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued. Kelly produced the drawing for "Lotus" in Spencertown, New York, and sent the transfer-paper study to Paris for proofing. It was included in the final memorial issue of 'Derriere Le Miroir' with prints by Eduardo Chillida, Takis, Pierre Alechinsky, Joan Miro, Marc Chagall, Shusaku, Arakawa, and Saul Steinberg, to name only a few of the 24 artists who provided original graphic work for this issue. "Lotus" was based on the ink drawing "Lotus" (EK No. P74.65). In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel...

You Give Me Butterflies is a painterly butterfly in RF’s lens-based mixed-media series. A blue, violet, pink, and green subject the butterfly dissolves into a backdrop of sun and col...

This lithograph is part of my private collection since the 1970's and is in very good condition. Georges Lambert was a French artist 1919-1998. He was a painter and lithographer who ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Love Letter to a Butterfly is a contemporary photographic work composed of images of flower petals—the source of nectar for butterflies—arranged into a rhythmic pattern of circular f...

This original 1950 lithograph by acclaimed American modernist Kenneth Miller Adams depicts the iconic Ranchos de Taos Church in a serene moonlit setting. One of the most celebrated s...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº3 + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...

Herbiers undated lithograph, artist proof (E.A) & signed by the artist 20,5 x 27,9 x 0,1 cm sold without frame about Jean Hélion (April 21, 1904 – October 27, 1987) Jean Hélion was...

This piece is an abstract botanical work on paper featuring hues of blue, green, purple, yellow and white. Framing options are available. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

Purple Iris Ed Mell Stone Lithograph image size 26" x 27 3/4" Edition of 200, 2002 "Original Pencil Signature", not an estate stamp ****PRINT IS SOLD UNFRAMED**** THE PASSING OF ED MELL IN FEBRUARY 2024 HAS CREATED VERY LIMITED ACCESS TO ORIGINAL SIGNED PRINTS. ALL FUTURE SALES OF ED MELL PRINTS WILL HAVE THE ESTATE SIGNATURE WITH AN EMBOSSED EMBLEM. IN SOME INSTANCES THERE WILL BE SIGNED ORIGINAL PRINTS WHICH WILL BE AT AN ADDITIONAL PREMIUM PRICE. WE WILL MAKE NOTE ON EACH OFFERING AS TO BEING ORIGINAL SIGNATURE OR ESTATE SIGNED. THANK YOU FOR YOUR UNDERSTANDING, COLLIER GALLERY WE ARE THE EXCLUSIVE FRAME MAKER FOR ED MELL ARTWORKS FOR OVER 45 YEARS. WE OFFER THE ED MELL SIGNATURE FRAMES WITH "EMBOSSED ED MELL SIGNATURE" IN SEVERAL CUSTOM DESIGNED PROFILES. UNLESS THE FRAME HAS HIS SIGNATURE IT IS NOT AN ORIGINAL ED MELL FRAME. BIOGRAPHY OF ED MELL Born in Phoenix, Arizona in 1942, Ed Mell started drawing as soon as he could hold a pencil. Influenced by his older brother Frank’s drawings of World War II combat aircraft and soldiers, Mell found his own hobby designing model automobiles. His interest in automobiles continued into high school, where Mell could usually be found drawing one of his friend’s cars or watching car commercials for future drawing ideas.Graduating from Phoenix Junior College with an Associated Arts Degree, he enrolled in The Art Center College of Design in Los Angeles to pursue his interest in illustration. During his four years of study there Mell broadened his artistic technique and learned to express his artistic conviction. In November, 1967, he accepted a position as a junior art director at Kenyon and Eckhardt, a major New York advertising firm. However, in only 10 months Mell found that the advertising world smothered his creativity. Considering a move back to Los Angeles, he called an old friend, Skip Andrews, who assured him that work there was scarce, and that he himself was planning to move to New York. A few months later Mell and Andrews established their own illustration firm, which they named Sagebrush Studios. Sagebrush Studios became an immediate success, with major corporate clients such as Cheerios and RCA, and illustrations appearing in Esquire and Psychology Today. But success had its price, and within three years the Arizona native was struggling with the fast-paced New York lifestyle and pressures of the advertising business. Mell jumped at the opportunity to teach summer classes in silk screening and drawing on the Hopi Reservation at Hotevilla, Arizona. When the summer session was complete, he took a hard look at his future and decided to get back to his Arizona roots. A few months later he and Andrews closed Sagebrush Studios. Returning to Phoenix, Mell and his younger brother decided to open their own illustration business. But the Phoenix market for illustration was in less demand than Mell was used to, so during breaks he began sketching landscapes using colored pencils. Colored pencils slowly turned into paints and by 1978 he had made the transition from commercial artist to landscape painter. Throughout the years, Mell has constantly changed the subjects he depicts and the techniquess to capture them. Beginning specifically with southwest landscapes, he has moved to other southwestern subjets including cowboys, horses, longhorn cattle and cactuses. Although best known for his oil paintings, he also developed an avid body of collectors for his bronze sculptures. Collectors are often left with a unique visual impression when they witness first-hand the tangling of reality with imagination. Ed Mell has won numerous awards and honors. His art has been exhibited in nine museum shows, including the Eiteljorg Museum of American Indian and Western Art, Scottsdale Center for the Arts, Mesa Southwest Museum, and the Rockwell-Corning Museum of Modern Art. More than 40 corporate and private collections have acquired his paintings and sculptures, and his life as an artist has been chronicled in major art publications. His biography, "Beyond the Visible Terrain: The Art of Ed Mell," was published in l996. His art also has been featured prominently in "Leading the West: 100 Contemporary Painters & Sculptors" and "Place of Spirit: Canyon de Chelly, 100 Years of Painting and Photography. Corporate Collections Atlantic-Richfield Corporation, Los Angeles, California Bank One, Phoenix, Arizona Loew's Ventana Canyon Resort, Tucson, Arizona Mountain Bell, Denver, Colorado Tri-Star Pictures, Hollywood, California U-Haul Corporation, Phoenix, Arizona Public Collections City of Glendale, Glendale, Arizona City of Scottsdale, Scottsdale, Arizona Phoenix Art Museum, Phoenix, Arizona Scottsdale Museum of Contemporary Art, Scottsdale, Arizona Kartchner Caverns, Southern Arizona Private Collections Forbes Collection Mr. & Mrs. Bruce Babbitt, Washington, DC Craig & Barbara Barrett, Phoenix, Arizona Mr. & Mrs. Joseph Coors, Golden, Arizona Stephane Janssen, Scottsdale, Arizona Arnold Schwarzenegger, Los Angeles, California Diane Keaton, Beverly Hills, California Collier Gallery, Tempe Arizona Collier Gallery has been in continuous operation for over 30 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Tempe to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

This listing is for the limited edition lithograph, not the mass produced poster. Robert Rauschenberg (American, 1925-2008) Earth Day, 1970 Lithograph with chine collé Signed, dated, numbered by the artist Edition 11/50, Full sheet: 52 1/2 x 37 1/2 in. With mat: approx 55 x 40 in Published by the American Environment Foundation Printed by Gemini G.E.L. Los Angeles, with blindstamp to lower center Catalog Raisonné: RRF 70.E016 Provenance: Butterfield & Butterfield (now Bonhams) Lot 3115, sale 5367L February, 24, 1993 This Robert Rauschenberg lithograph...

Love Letter to a Butterfly is a contemporary photographic work composed of images of flower petals—the source of nectar for butterflies—arranged into a rhythmic pattern of circular f...