Peter Kuhfeld Paintings
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Artist: Peter Kuhfeld
FALLING SNOW REALTO VENICE ITALY.Peter Kuhfeld.NEAC.RP contemporary British
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld (born 4 March 1952) is an English figurative painter. He was born in Cheltenham and is married to the English figurative painter Cathryn Kuhfeld, née Showan. They hav...
Category
2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
Portrait of the Artist's Wife
By Peter Kuhfeld
Located in London, GB
Peter Kuhfeld
Portrait of the Artist's Wife
b. 1952
Oil on board, signed lower right, titled 'Cathryn' and dated 'Oct 1983' verso
Image size: 12 1/2 x 11 1/2 (32 x 29.3 cm)
Original...
Category
20th Century Peter Kuhfeld Paintings
Materials
Oil, Board
NUDE, VENICE STUDIO ITALY..Peter Kuhfeld contemporary British artist b 1952
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld (born 4 March 1952) is an English figurative painter. He was born in Cheltenham and is married to the English figurative painter Cathryn Kuhfeld, née Showan. They ha...
Category
2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
ROMAN HOLIDAY TRIVI FOUNTAIN ..Peter Kuhfeld RP NEAC English impressionist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
The commissioned by HRH King Charles by Kuhfeld’s portrait shows King Charles in his coronation regalia, seated with the Imperial State Crown nearby on a plinth. Sunlight from a wi...
Category
2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
GARDEN SUN by PETER KUHFELD RP NEAC contemporary British impressionist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter (born 4 March 1952) is an English figurative painter. He was born in Cheltenham and is married to the English figurative painter Cathryn They have two daughters who have o...
Category
21st Century and Contemporary Peter Kuhfeld Paintings
Materials
Oil
MODELS in front of the MIRROR PETER KUHFELD CONTEMPORARY BRITISH ARTIST
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld (b. 1952)
Painted In the studio, Evening; ; Reclining nudes in front of a mirror signed 'Kuhfeld'' (upper right)
Provenance
with Petley Fine Art, London.
Category
2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
SANTA MARIA DEL SALUTE, ITALY
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
painting size is 60x50 framed size is 76x65
Category
2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
BEFORE THE DRESSING TABLE..Peter Kuhfeld RP.NEAC contemporary British artist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld (born 4 March 1952) is an English figurative painter. He was born in Cheltenham and is married to the English figurative painter Cathryn Kuhfeld, née Showan. They ha...
Category
21st Century and Contemporary Post-Impressionist Peter Kuhfeld Paintings
Materials
Oil
TRADE DE LERAUO SAINT MARCO VENICE, Peter Kuhfeld British contemporary artist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Commissioned from the artists Peter Kuhfeld the Coronation State Portrait were unveiled at the National Gallery on 6 May 2025. This was the second anniversary of the Coronation of Ki...
Category
2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
NEW MODEL in the SUMMER ROOM
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld, RP NEAC
Peter Kuhfeld was born on 4 March 1952 in Cheltenham as the only child of a German prisoner of war and an English classical pianist.
Between 1972 and 1976 h...
Category
Early 2000s Impressionist Peter Kuhfeld Paintings
Materials
Oil
PROVENCAL SUN..Peter Kuhfeld RP NEAC.contemporary British artist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld
Peter Kuhfeld (born 4 March 1952) is an English figurative painter. He was born in Cheltenham and is married to the English figurative painter Cathryn Kuhfeld, née Sho...
Category
Early 2000s Impressionist Peter Kuhfeld Paintings
Materials
Oil
FIRST OF MORNING LIGHT. PETER KUHFELD NEAC RP 1952 contemporary British Artist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
First of the Morning Light oil on canvas,64x78 I love the gentle light falling on the model from a very beautiful window. Born in 1952, Kuhfeld studied at Leicester School of Art between 1972 and 1976. In 1978 he secured a place at the Royal Academy School of Art. During this time he also studied under the painter Peter Greenham CBE, RA.
While at the Royal Academy Schools Kuhfeld won various notable scholarships and prizes: 1978-79 David Murray Landscape Prize; 1979 Royal Academy of Art Silver Medal for Drawing, Royal College of Surgeons Dooley Prize for Anatomical Drawing; 1980 Elizabeth Greenshield Foundation Scholarship and Richard Ford Scholarship for study in Spain.
In 1985 the New Grafton Gallery in London gave Kuhfeld his first major exhibition, with the painter Christa Ga, which helped establish him as one of the up-and-coming members of the New English Art movement. In 1986 Kuhfeld was elected to membership of the New English Art Club. In 1992 he became an elected member of the Royal Society of Portrait Painters.
In 2012 Kuhfeld was commissioned by HRH The Prince of Wales to paint the Royal wedding of Their Royal Highnesses The Duke and Duchess of Cambridge...
Category
21st Century and Contemporary Impressionist Peter Kuhfeld Paintings
Materials
Oil
SAIL FAR OUT TO SEA, , Peter Kuhfeld contemporary British artist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld
Born in Cheltenham, Peter is the only child of a German prisoner of war and an English classical pianist. He studied at Leicester School of Art between 1972-76 and on graduation worked for two years giving lessons in drawing and painting at Rugby School of Art before securing a place at the Royal Academy Schools. There he studied under Peter Greenham CBE RA from 1977 to 80. While at the Royal Academy Schools Peter won various scholarships and prizes, notably the David Murray Landscape Prize, the Royal Academy of Art Silver Medal for Drawing, the Royal College of Surgeons Dooley Prize for Anatomical Drawing, the Elizabeth Greenshield Foundation Scholarship and Richard Ford Scholarship for study in Spain. He has enjoyed a successful career exhibiting around the world and often appears in the ING Discerning Eye selection. His drawings are held in the Royal Collection and in 2012, he was commissioned by HRH The Prince of Wales to paint the royal wedding of TRH the Duke & Duchess of Cambridge.
Category
2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
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Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2]
Early life and training
Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10]
Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11]
Career in art
In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15]
Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46]
After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54]
Artistic style
(1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches
(2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches
(3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches
(4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches
(5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches
(6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches
(7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches
(8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches
Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56]
Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57]
Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above).
An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3).
Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred.
Illustrator
(9) Ann Brockman, cover, March 12, 1917, Every Week magazine
(10) Illustration of an article, "The Taking of a Salient" by Henry Russell...
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Reclining Nude, Oil Painting by Julian Ritter
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Initialed lower left 'C....
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The Mills in Montmartre, Paris, 1907, oil on panel signed and dated
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BEFORE THE MIRROW Peter Kuhfeld. contemporary British artist Royal collection
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Artist: Peter Kuhfeld NEAC, RP
Entitled: Before the Mirror
Medium: Oil on Canvas
Size: 120 x 144cm
Peter Kuhfeld studied post-graduate painting at the Royal Academy Schools under Peter Greenham CBE, RA. He has won many prizes, including the Royal Academy of Art Silver Medal for Drawing and the Royal College of Surgeons "Dooley" prize for Anatomical Drawing. He won the Elizabeth Greenshield Scholarship in 1980 and the Richard Ford...
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2010s Impressionist Peter Kuhfeld Paintings
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Oil
H 47.25 in W 56.7 in D 1.97 in
THE PINK UMBRELLA.., Peter Kuhfeld RP.NEAC 1952 contemporary British artist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Born 4 March 1952, Peter Kuhfeld is an English figurative painter. He was born in Cheltenham and is married to the English figurative painter Cathryn Kuhfeld, née Showan. They have t...
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Early 2000s Impressionist Peter Kuhfeld Paintings
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Oil
Duomo Cremona, late afternoon - Italy
By Peter Kuhfeld
Located in Stoke, Hampshire
Peter Kuhfeld, RP, NEAC (British, b.1952)
Duomo Cremona, late afternoon
signed 'Kuhfeld' (lower right); further signed and titled to the reverse
oil on canvas
Painting Size 44 x ...
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20th Century Impressionist Peter Kuhfeld Paintings
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Oil
Archway and Statue, Venice
By Peter Kuhfeld
Located in Stoke, Hampshire
Peter Kuhfeld, RP, NEAC (British, b.1952)
Archway and Statue, Venice
signed 'Kuhfeld' (lower left)
oil on board
Painting size - 20 x 31 in
Framed size - 26 x 38 in
Born in Chelten...
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20th Century Modern Peter Kuhfeld Paintings
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Florence Learning her Lines - Evening Interior
By Peter Kuhfeld
Located in Stoke, Hampshire
Peter Kuhfeld, RP, NEAC (British, b.1952)
Florence Learning her Lines - Evening Interior
signed 'Kuhfeld' (upper left);
further signed and titled to the reverse
oil painting on c...
Category
20th Century Modern Peter Kuhfeld Paintings
Materials
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Venice Italy Peter Kuhfeld Girls on Bridge Landacape Oil Painting Impressionist
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Peter Kuhfeld
Born in Cheltenham, Peter is the only child of a German prisoner of war and an English classical pianist. He studied at Leicester School of Art between 1972-76 and on ...
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2010s Impressionist Peter Kuhfeld Paintings
Materials
Oil
FOUNTAIN TREVI ROME early morning
By Peter Kuhfeld
Located in Pollenca, Illes Baleares
Fine Original Oil Painting by Peter Kuhfeld.
Peter Kuhfeld was born in Cheltenham 1952 and studied painting at Leicester College of Art and The Royal Academy Schools under Peter Greenham. He was created Freeman of the Worshipful Company of Painters/Stainers 1978. He has won a number of art prizes including the David Murray Landscape Prize 1978-79, Royal Academy Silver...
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2010s Impressionist Peter Kuhfeld Paintings
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Peter Kuhfeld paintings for sale on 1stDibs.
Find a wide variety of authentic Peter Kuhfeld paintings available for sale on 1stDibs. You can also browse by medium to find art by Peter Kuhfeld in oil paint, paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Impressionist style. Not every interior allows for large Peter Kuhfeld paintings, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Alexandr Reznichenko, Dmitriev Alexey Olegovich, and Deb Komitor. Peter Kuhfeld paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,416 and tops out at $12,115, while the average work can sell for $4,906.