Philomena Marano More Art
American, b. 1952
Philomena was raised in Brooklyn, just a stone’s throw from America’s most famous amusement park, Coney Island. She is most known for cut paper collage and limited edition prints in her acclaimed collection, “American-Dream-Land” in which she depicts both personal and universal themes in the rides, signs and attractions of her childhood playground.
In 2017 , a move to Florida shifted her attention to the circus thrill shows of Sarasota. The precision, exhilaration and wonder embedded in the spectacle of these performances were a definite reminder of the fun and danger of the wondrous mechanical constructions in Coney Island; a continuity of earlier sensibilities.
She acquired and honed her cut paper skills while working as an assistant to preeminent artist Robert Indiana in his New York studio on a prodigious cut paper project rendering set and costume designs for “The Mother of Us All”, Santa Fe Opera. In 2020, she was invited to give artist talks at the MFA St. Pete’s, FL. on her experiences working on the project in an exhibition titled: Art of the Stage: Picasso to Hockney where many of Indiana’s stage designs from “Mother” were displayed.
Marano is co-founder of the Coney Island Hysterical Society, earned a BFA from Pratt Institute , and has been included in numerous galleries including Tabla Rasa Gallery, Brooklyn ,NY, ACA Gallery, NY, New York, Deutsche Bank, NY, New York, The DeLand Museum of Art, FL., Ringling College of Art & Design, Sarasota, FL., and the Art Center Sarasota.
Her work is featured in Charles Denson’s book, “Coney Island, Lost and Found,”
Ten Speed Press, 2002, SRQ magazine, 2021 , Luxe Interior + Design, 2021, Between 2Two Shores, a UK based Literary & Art publication, 2021, among others
and is in many private and corporate collections including the Brooklyn Museum.to
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Artist: Philomena Marano
Black Beauty meets the Rainbow Reef whimsical, colorful undersea cut paper
By Philomena Marano
Located in Brooklyn, NY
BIO
Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the f...
Category
2010s American Modern Philomena Marano More Art
Materials
Paper, Wood Panel
YOUR CHOICE, bold colorful, amusement park, coney island, rides, signs modernism
By Philomena Marano
Located in Brooklyn, NY
Archival pigment print
Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare...
Category
2010s Contemporary Philomena Marano More Art
Materials
Archival Pigment
Black Beauty Meets the Coral Reef, colorful, graphic undersea fantasy
By Philomena Marano
Located in Brooklyn, NY
BIO
Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the f...
Category
2010s American Modern Philomena Marano More Art
Materials
Paper, Wood Panel
Car Service, cut paper collage, urban landscape, hard edge, bold graphic, text
By Philomena Marano
Located in Brooklyn, NY
CAR SERVICE
Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...
Category
Early 2000s American Modern Philomena Marano More Art
Materials
Paper
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Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork.
The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs.
Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959.
Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work.
During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann.
illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones.
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Philomena Marano more art for sale on 1stDibs.
Find a wide variety of authentic Philomena Marano more art available for sale on 1stDibs. You can also browse by medium to find art by Philomena Marano in archival pigment print, paper, pigment print and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the modern style. Not every interior allows for large Philomena Marano more art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Christopher Wool, Natasha Zupan, and Jenny Day. Philomena Marano more art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,200 and tops out at $1,200, while the average work can sell for $1,200.
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