Filippo De Pisis More Art

A Autograph Letter Signed by Filippo de Pisis accompanies a b/w photographic portrait (cm 11 x 9) of the young Italian artist, with his Basque-hat on his head, smoking a pipe and with his parrot on his shoulder. This composition, in perfect condition, is mounted under passepartout, plexiglass, and gilded frame (cm 40.5 x 2 x 54.5). The manuscript is addresses to Gaetano Chiurazzi. Venice, January 20th 1947. One page, single-sided. On letterhead paper “Ne nous embarbouillons pas dans les métaphores” (Balzac). cm 23 x 14.5. In 16°. In Italian. Signed “F. de Pisis”. Excellent condition, except for usual folds. Perfectly readable An affectionate greeting letter written with a rapid calligraphy by the artist had just returned to Italy, to Venice, after a short stay in Paris, with the first symptoms of a disease that will lead him to death. The artist writes to his friend, the Italian gallerist, Gaetano Chiurazzi (Naples,1899- Rome,1967), best-known as "Tanino". This letter will be delivered to Tanino by a great admirer and collector of de Pesis. A manuscript demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24-hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...

Colonna Review - A.L.S. is a Autograph Letter Signed by Alberto Savinio to the Countess A.L Pecci-Blunt. Milan, May 21st 1934. In Italian. One page, single-sided. Excellent conditio...

Happy Easter Card by Gianni Granzotto, to the Countess Anna Laetitia Pecci-Blunt. Bologna, Easter, 1937. In Italian. One page, single-sided. With wishing autograph notes by a great...

Autograph Letter Signed by de Pisis - "Love and Flowers" to Gaetano Chiurazzi. Venice, February 10th 1934. In Italian. With stamps and postmarks. Very good condition, with minor aging signs. Original envelope included. Perfectly readable, on ivory color paper and on letterhead "et spiritualis unctio". With autograph notes signed in blue ink at the end of the back, by an undefined author. An affectionate greeting letter written with a rapid calligraphy and in a cryptical way, with quotations understandable only within the friendship relationship between the poet-artist of "Loves and Flowers" and the Italian gallerist, Gaetano Chiurazzi (Naples,1899 - Rome,1967), best-known as "Tanino". De Pisis is today best-known for his cityscapes, metaphysically-inspired maritime scenes, and still lifes, especially those depicting flowers. His work has a particularly airy quality, and is laden with a sort of pathetic pleasure. This letter demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24 hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...

Le Foglie – A.L.S. is a Autograph Letter Signed by Filippo de Pisis to Gaetano Chiurazzi. Milan, June 3rd 1947. One page, double-side. On letterhead paper “Ne nous embarbouillons pas dans les métaphores” (Balzac). In Italian. Very good condition, with minor aging signs. Original envelope included, with lacquer wax. An affectionate greeting letter written with a rapid calligraphy written by the artist had just return to Italy with the first symptoms of an illness will lead to his death. The artist demands to his friend and Italian gallerist, Gaetano Chiurazzi (Naples,1899- Rome,1967), best-known as "Tanino", to lead him his oil on canval “Le Foglie”, exhibited at his popular gallery, “Le Vetrine di Chiurazzi”, in Via del Babbuino, Rome. De Pisis is today best-known for his cityscapes, metaphysically-inspired maritime scenes, and still lifes, especially those depicting flowers. His work has a particularly airy quality, and is laden with a sort of pathetic pleasure. This letter demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24-hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...