Pierre Alexandre Graziani Wall Decorations

Original Italian art exhibition poster by painter and designer Ferruccio Garopesani. Presented in 1975 at the Galleria International d'Arte - Diorena - Ascona, Italy. A native of ...

This poster is for the 1977 Monaco Grand Prix, with the brilliant illustration design by Carpenter. The vibrant and modern artwork depicts the speed of the racers. The 1977 Monaco G...

Abstract painting from the 1950s French work in the style of Hans Hartung Signature present to identified.  

Oil on canvas. Titled and signed. A sketch in the back.

A surrealist painting by listed French artist Jean Pierre Clement depicting two whimsical figures. The male figure in front sports a striped chemis...

A nice oil on canvas by the noted French painter Jean-Pierre Clement. It is signed titled and dated upper right corner. It is dated and titled La Parade, 196...

A striking and atmospheric abstract composition by Dutch artist Guus van der Braak. Executed in a richly layered palette of deep blacks, earthy reds, muted greens, and warm ochres, t...

A surrealist scene by listed French artist Jean Pierre Clement depicting a cloaked female figure next to a pile of assorted items including a book,...

A surrealist painting by listed French artist Jean Pierre Clement depicting a male figure in jester-like clothing and a light red headdress. He appears to be reading inside a small, ...

Beautiful poster advertising an exhibition of the legendary Dutch expressionist painter Vincent Van Gogh. Held at the Musee De Lyon in France betwe...

A vintage exhibition print from Musée Picasso, 20th century, featuring his 1918 oil «Bathers». Frame is new: framed handsomely in wood under glass. Pick up in LA or we ship worldwid...

Frederick Arthur Bridgman La Fête des Bois, Les Bacchantes signed F.A. Bridgman (lower left) oil on canvas Dimensions: Height: 73" Width: 150" ( 185.4cm x 381cm) La fête des bois, les bacchantes imagines a celebratory procession of flower-crowned revelers parading joyfully through the woods. Bridgman exhibited a near identical version, approximately one third of its size, at the Paris Salon of 1896, no. 311 (for illustration, see Sotheby's, February 12, 1997, lot 71). The painting certainly raised eyebrows and stirred feisty commentary when it was exhibited at London's Royal Academy. As one critic wrote in the Atheneum: Provenance Sale: American Art Association, New York, The Works of F. A. Bridgman, March 14, 1899, lot 72 William Randolph Hearst (offered, his sale, Gimbel Brothers...