Pierre Lardin

This sofa was produced in Italy in the 1950s. The feet are covered in Macassar. The sofa is newly upholstered with a gray fine velvet.

This beautiful T21E dining table from 1965 by Pierre Chapo exemplifies Chapo’s signature style and craftsmanship. Made with the utmost attention to detail, the T21D features a solid ...

French dining table attributed to Pierre Cardin, 1970s. Polished brass bi-color metal base with glass top.

Sleek 1970s Hollywood Regency fully upholstered chaise lounge or sofa for Berhardt Flair in the style of Karl Springer or Steve Chase in original tan silk blend upholstery. Great 70s styling with upholstered flared legs, Ogee around base and angled back and sides to the sofa. In fine original condition, some minor marks on feet and to the backs, one lighter spot on the seat. Foam is in perfect condition on this very comfortable chaise, having to back cushions and two pillows. Usable in present condition, if perfection is sought, plan to recover. Retains Bernhardt Flair Division...

Beautiful Mid-Century Modern style chaise longue, Karlskrona, designed by Karl Malmwall for IKEA, in the 1990s. Handmade in wicker and rattan, with a soft neck pillow in cream white...

Oversized, elongated Art Deco streamline lounge chair and ottoman. Extremely comfortable, down filled, nice quality and construction. Chair an...

Pierre Chapo Dining Table T21 made from Elm wood.

An iconic example of modern outdoor design, this set of four adjustable chaises from Richard Schultz’s 1966 Collection pairs sleek aesthetics with ergonomic comfort. Originally desig...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

Armchair and ottoman. From the early Art Deco period of Northern Italy, in walnut and ivory velvet upholstery, the chair's back is gracefully curved and extends to accentuate the cur...

An upholstered day chaise lounge by Kristin Drohan with clean lines, wood frame with double H form stretcher, straight arms, bolster pillows at both ends. Upholstered in a red and ta...

This LC4 chaise longue in black leather was designed by Le Corbusier/ Pierre Jeanneret/ Charlotte Perriand and produced by Cassina. It features the classic chrome steel frame and a b...