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Pietro Fontana Art

1762-1837

An Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen and is best known for his complete series of engravings of the neoclassical sculptures of Canova. He became a member of the Accademia di San Luca.

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Bacchanalia -  Etching by P. Fontana After A. Tofanelli - 1821

Bacchanalia - Etching by P. Fontana After A. Tofanelli - 1821

By Pietro Fontana

Located in Roma, IT

“Baccanale con Bacco, Sileno, Fauni, e Menadi” is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, ...

Category

1820s Modern Pietro Fontana Art

Materials

Etching

Bust of Nero - Original Etching by P. Fontana After B. Nocchi - 1821

Bust of Nero - Original Etching by P. Fontana After B. Nocchi - 1821

By Pietro Fontana

Located in Roma, IT

“Busto di Nerone” (Bust of Nerone) is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò./ Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XVII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roma Emperor, Nerone, realized with neoclassical style and a wise touch In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, and a usual yellowing of the paper on the lower margin, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello...

Category

1820s Modern Pietro Fontana Art

Materials

Etching

Bust of Tiberius - Original Etching by P. Fontana After A. Tofanelli

Bust of Tiberius - Original Etching by P. Fontana After A. Tofanelli

By Pietro Fontana

Located in Roma, IT

“Tiberio con corona civica” (Tiberius with a civic crown) is a beautiful black and white burin and etching on paper, realized by the artist Pietro Fontana (Caslano 1763 – Rome 1829),...

Category

1820s Modern Pietro Fontana Art

Materials

Etching

Bust of Geta - by P. Fontana - 1821

Bust of Geta - by P. Fontana - 1821

By Pietro Fontana

Located in Roma, IT

Image dimensions: 48.4 x 33.2 cm Busto di Geta (Bust of Geta) is a superb black and white burin and etching on paper, realized by the artist Pietro Fontana, after Agostino Tofanelli, as the inscriptions on plate on the lower margin report “Agostino Tofanelli delineò / Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on the higher margin: “Tom II. / Tav. XXII" and is a plate from the series "Illustrazioni de' Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..) date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome in 1821. This old master’s original print shows a beautiful piece of the Borghese's collection: a marble bust of Geta in a neoclassical style. Geta (full name Publius Septimius Geta) was the son of Septimius Severus and Julia Domna, and the brother of Caracalla. He was a Roman co-emperor from 209 to 212 AD, first with his father and then with his brother. His biography is very interesting: he was the younger son of Septimius Severus and his second wife; his face was obliterated because of the damnatio memoriae ordered by his brother Caracalla, who had him assassinated. In excellent conditions, with some light signs of time, some sporadic minor stains along the lower margin, and a usual and imperceptible yellowing of the paper on the margins. This wonderful etching has preserved its charming and fresh impression. Pietro Fontana (Bassano Romano, 1762 – Rome, 1837) The Italian artist and engraver Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as student of Raffaello Morghen...

Category

1820s Old Masters Pietro Fontana Art

Materials

Etching

Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821
Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821

Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821

By Pietro Fontana

Located in Roma, IT

Image dimensions: 33.7 x 48.6 cm. “Ara con tripode” (Ara with tripod) is a beautiful black and white burin and etching on paper, realized by the artist Vincenzo Feoli, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Vincenzo Feoli incise in Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. Original Title: Ara con Tripode di quindecemviri, e la corona...

Category

1820s Old Masters Pietro Fontana Art

Materials

Etching

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Previously Available Items
Bust of M. Agrippa - by G. Foto After B. Nocchi - 1821

Bust of M. Agrippa - by G. Foto After B. Nocchi - 1821

By Pietro Fontana

Located in Roma, IT

Image dimensions: 49x33.4 cm M. Agrippa is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Folo Veneto, after Bernardino Nocchi as the inscriptions on plates on the lower margins report “Bernardino Nocchi delineò. / Giovanni Folo Veneto incise in Roma”. This original print is numbered on plate in Roman numerals on the higher margin: “Tom II. / Tav. XXIII" and is a plate from the series "Illustrazioni de' Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..) date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli" by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome in 1821. This old master’s original print shows a precious piece of the Borghese's collection, the marble bust of Marco Vipsanio Agrippa (Arpino, 63 BC approx. - Campania, 12 BC), a Roman politician, military and architect but above all a friend of Octavian, the future Emperor Augustus and also his faithful collaborator and son-in-law. Agrippa was the author of many Octavian's military triumphs, the most notable of which was the naval victory in the battle of Actium against the forces of Mark Antony and Cleopatra. In excellent conditions, with some light signs of the time and some sporadic minor stains along the margins, this wonderful burin has preserved still today its fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This print collection in two volumes is a beautiful detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his villa on the Pincio, in Rome. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large illustrated plates. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added - as they notified in the warning - only a few illustrations relating to some minor monuments formerly engraved on copper. The Volume I shows ancient full-length statues of the Borghese warrior...

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1820s Old Masters Pietro Fontana Art

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David with the Sling - Etching by A. Campanella After S. Tofanelli - 1821

David with the Sling - Etching by A. Campanella After S. Tofanelli - 1821

By Pietro Fontana

Located in Roma, IT

Image dimensions: 39.5 x 31 cm “Davide con la Fionna” (David with the sling) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Stefano Tofanelli, as the inscriptions on plates on lower margins report “Stefano Tofanelli delineò/ Angelo Campanella incise in Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXXII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a beautiful piece of the Borghese's collection, the statue representing the young boy who with a sling defeated the monster Goliath and became a myth. In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins, a usual yellowing of the paper at the edges, this wonderful etching has preserved still today his beauty and his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Angelo Campanella (Rome, 1748 – 1815) Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...

Category

1820s Old Masters Pietro Fontana Art

Materials

Etching

Pietro Fontana art for sale on 1stDibs.

Find a wide variety of authentic Pietro Fontana art available for sale on 1stDibs. You can also browse by medium to find art by Pietro Fontana in etching and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Old Masters style. Not every interior allows for large Pietro Fontana art, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of Francesco Cecchini, Carle Vernet (Antoine Charles Horace Vernet), and Crispin de Passe II. Pietro Fontana art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $624 and tops out at $891, while the average work can sell for $780.

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