Pleyel & Compie Furniture

This beautifully crafted teak upright pianette, designed by Andreas Christensen, is outfitted with 85 keys, making it an ideal choice of model for a smaller siz...

A Very Fine German 19th Century Louis XVI Style Burr Walnut Bechstein Concert Grand Piano, Serial No. 5655. The beautifully crafted Grand piano, raised on three tapered barrel shaped legs, with an intricately carved ornate music desk and original keys. Circa: 1872. Length: 80 inches (203.2 cm) Width: 59 inches: (149.9 cm) Height (top closed): 38 5/8 inches (98.1 cm) C. Bechstein Pianofortefabrik C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein. Before Bechstein Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies. C. Bechstein C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany. Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons. In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos. In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard. The signature of Carl Bechstein The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia. Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons. Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year. First World War C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off. Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos. As the company was changed into a joint-stock company 1923, Edwin Bechstein and his wife Helene, bought themselves back into the company as shareholders. In 1930 the company collaborated with German electrical goods manufacturer Siemens under Nobel laureate Walther Nernst to produce one of the first electric pianos...

Upright piano. Towards the beginning of the 20th century. Upright or wall piano with a wooden body with marquetry elements on the central panel of the uppe...

19th century French grand tour iron model of the Arc de Triomphe, in two parts, the fine cast iron model of the Arc de Triomphe with a mirrored top. Raised on a oval ebonized wood and metal chain link fenced base Model of Arc de Triomphe...

A very fine and elegant Regency Satinwood and parcel-gilt double action Harp from the workshop of the famous harp and piano maker Sebastian Erard (1752-1831), decorated in the Grecia...

A late 19th Century French gilt bronze reliquary with removable glass insets that hold an embroidered sachet. Measurements: Height: 14.5" Diameter: 9"

This stunning hand-painted icon from the mid-19th century is a remarkable example of religious art steeped in tradition and spiritual symbolism. Icons have long held a significant role in Orthodox Christianity, serving as windows to the divine and tools for prayer and contemplation. Crafted with meticulous attention to detail, this piece exemplifies the skill and devotion of its maker. The wooden panel and frame are entirely gilded, lending the icon a luminous and reverent quality. The outlines of the Madonna have been finely etched into the gilding, while her face and hands, along with those of the Christ Child, are delicately painted in oil. This contrast between the warm glow of the gold and the naturalistic rendering of the figures creates a powerful visual and emotional impact. Adding to its authenticity, the base of the icon features a Cyrillic inscription, hinting at its origins and cultural significance. The craftsmanship and style suggest it was created during the mid-19th century, making it not only a sacred object but also an invaluable piece of history. This icon is a perfect addition to any collection of religious art or as a meaningful decorative piece for your home. It can be displayed in a devotional space, hung on a gallery wall, or placed on a shelf to create a focal point that inspires reflection and reverence. Whether you are an experienced collector or a first-time buyer, this gilded icon...

A gilded bronze alloy early 20th century Processional Cross. On the obverse a central Corpus Christi in raw bronze and arms extended wearing a loincloth. Hidden yet partially exposed...

Hand-carved and painted massive wooden horse head, late 19th century, probably from a small carousel or children's toy. Very nice patina through peeling paint and wear.

19th century hand painted oval German porcelain plaque KPM? German porcelain plaque of the Vestal Virgin after the painting by Angelica Kauf...

A large cast bronze powder box (poudrier) by French Parisian art jeweler Line Vautrin (1913-1997) circa 1945-1950. The box called "Feuille" (Leaf) features an irregular leaf form wit...

Antique English Victorian Hand Crank Mahogany Case Portable Upright Barrel Piano with Gold Gilt Trim. Circa Late 19th Century. Measurements: 45" H x 26" W x 18" D.