Polina Filippova Art

Smooth-surfaced, engineered black granite is sculpted into an elegant, spinning form by Jeremy Guy. This lively shape that appears to spin dynamically on its narrow base, like a piro...

Bound Heart is a unique oak wood and cotton cord sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 × 34 × 26 cm (7.5 × 13.4 × 10.2 in). The sculpture comes with...

A beautiful 1930s Carlton Ware Art Deco Garden pattern vase of shouldered ovoid form, decorated with iconic art deco shapes on a green, blue, yellow and beige background , pattern no...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

The ‘Astro Boy’ in vivid color was re-imagined by KAWS in collaboration with Original Fake and created by Medicom Toy. This collectable art figurine is made of vinyl and is part of t...

Bette Beazley was a potter active on the central coast of New South Wales during the 1960s, 1970s and 1980s. She made and sold her wares and taught pottery, first from her home, then...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

cotton rope and aluminum

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

A really mind blowing video sculpture which will challenge your sense of perception and make you think you have caught a real fairy in a jar. The fairy is floating in a jar wiping he...