Prunella Clough Art

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Previously exhibited: Marina Stern Paintings, Eleanor Rigelhaupt Gallery...

Rather Be by Allison Rohland is a richly layered abstract mixed-media painting on canvas with a quiet, atmospheric intensity. Muted mauves, dusty pinks, olive greens, and charcoal to...

“Alpha – The Beginning” is a vibrant and expressive 1950s abstract oil painting by renowned Colorado modernist Eve Drewelowe (1899–1989). This dynamic mid-century modern composition ...

Pierre-Yves Tremois Narcisse Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very good condit...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Previously exhibited: Marina Stern Paintings, Eleanor Rigelhaupt Gallery...

A striking 1940s Modern cubist still life drawing by Notable Chicago and Michigan artist Stanley Bielecky. Image size: 4 x 5 inches. Archivally matted to 13 1/4 x 16 inches. Estate stamped and numbered 58, lower left. Stanley Bielecky was an Indiana artist who painted the American Scene, from the industrial factories and workers around East Chicago to the pastoral settings of Mackinac Island...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange

A finely detailed etching of Isfield Place in East Sussex by Marcel Schuette. Signed, dated, and titled in graphite below the plate line. Smartly presented in a black frame. On paper.

graphite on paper, drawing measures 5.5 x 4 inches Vintage frame is 12.5 x 9 x 2 inches with beautiful floral carved detail and fabric inlay. This graphite work on paper was inspire...

What I Wouldn't Do by Allison Rohland is a light, airy abstract composition with soft, gestural marks floating across a pale ground. Creamy whites, blush pinks, muted greens, and ear...

This original 1960 abstract painting by Hilaire Hiler (1898–1966) exemplifies his distinctive structuralist style and modernist vision. Created during his influential period in New Mexico, the artwork features soothing, harmonious tones of pink and blue, expertly layered to evoke a sense of calm and balance. Signed in the lower right corner, this mid-century modern piece measures 15 ½ x 18 ¾ inches framed, with an image size of 14 x 17 ½ inches. Hilaire Hiler’s work stands out for its intellectual rigor and visual harmony, blending abstraction with a structuralist approach that explores color, form, and rhythm. About the Artist: Born in St. Paul, Minnesota, and raised in Providence, Rhode Island, Hiler received extensive art training at the Rhode Island School of Design, Pennsylvania Academy of the Fine Arts, and the University of Paris. Between 1919 and 1934, he lived in Paris, working as a jazz pianist while engaging deeply with the European avant-garde. After returning to the U.S., Hiler painted WPA murals for San Francisco’s Aquatic Park...