Irene Zevon Art

Presenting 'Naiad,' a stunning abstract portrait by Masri, celebrated for its vivacious flow and splatter techniques. This singular piece portrays a woman in profile, her form crispl...

Oil on canvas. Signed and dated lower left. 51 x 38 in. 52.5 x 39.25 in. (framed) Framed in maple. Gabriel Godard, a self-taught painter, was born in 1933 in Delouze, France. Hist...

"Don't you ever give up Don't you ever lose faith Believe it's yours Already and forever Life gets easy Beauty of the Earth Enjoy this journey Being conscious of the birth" 'do ...

"Trust life Your life is everything Your passion serves the humanity It serves all of us" 'trust life' is a reminder that with resilience your life is about to change for the better, for good. Get ready to receive abundance of health, wealth, love and success in this lifetime, loving the way you live and surrendering to your glorious destiny. Emmi Granlund...

Dive into the abstract depths of "Fond Memories," a thought-provoking 48" x 36" mixed media creation by the artist Lorraine Lawson. This piece exemplif...

"Pure Joy!" is a 36" x 36" mixed media masterpiece by Lorraine Lawson, celebrated for her abstract expressionist vigor. This piece is a harmonious conf...

Oil on canvas. Signed, titled, and dated on verso. 36.25 x 42 in. 37.25 x 43.25 in. (framed) Custom framed in maple. Provenance Marcia Wood Gallery, Atlanta Yoshishige Furukawa...

Lynd Ward, 'Madman's Drum, Plate 41', wood engraving, 1930, edition small. Signed in pencil. A fine, black impression, on off-white tissue-thin Japan paper; the full sheet with margins (1 5/8 to 2 1/2 inches); a small paper blemish in the upper right margin, away from the image, otherwise in excellent condition. Scarce. Matted to museum standards, unframed. Image size 5 1/2 x 3 3/4 inches (140 x 95 mm); sheet size 9 5/8 x 7 1/8 inches (244 x 181 mm). From Lynd Ward’s book of illustrations without words, 'Madman’s Drum', Jonathan Cape and Harrison Smith, New York, 1930. Illustrated in 'Storyteller Without Words: The Wood Engravings of Lynd Ward', Harry Abrams, New York, 1974. Reproduced in 'Storyteller Without Words, the Wood Engravings of Lynd Ward', Harry N. Abrams, New York, 1974. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage...

Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...

Richly textured abstract composition by California artist Devon Brockopp-Hammer (American, b. 1986). Large bold swatches of white and yellow float against a blur background. Surround...

'Abstract Prism: Radiant Cubist Figure', oil on board, by STM (circa 1970s). A marvellous late mid-century, medium-sized painting by an artist with the initials STM. Clearly inspired...

The original painting by Borja Guijarro is painted on stretched canvas and ready to be displayed. The unusual use of colour and artistic technique of distortion make for a very interesting and unusual portrait. Borja is well known in the world of illustration, where he evolves into a more artistic world of Fine Art. Artist Mostly focuses on his new interpretation of Cubism including the Pop Art and figurative subject matter with the hint of personal traits. Borja Guijarro combines all these trends making his work eclectic and varied. His artistic techniques include, oil painting, graphic, engraving, lithography, serigraphy, murals & sculpture. Awards: 1992. Second prize - Painting competition Café Galería El Ratón (Madrid) 1997. Special mention - Painting contest Tres Cantos (Madrid) 1998. First prize - Ciudad de Tres Cantos (Madrid) 1998. Finalist Kronenburg prize 2000. Lithographys – San Miguel beer 2000. Inauguration of engraving room 2001. Poster Popular Fair - San Martín de Valdeiglesias (Madrid) 2003. Lithography for Peugeot 2005. Third prize carnival poster...