R. A. Bobbie Dixon Art

MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

'Woman by the Window with Embroidery Frame', oil on canvas, by Franz Ludwig Kiederich (circa 1930s). A delightful depiction of a woman, comfortable...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

CHARLES LEVIER – [SOLITUDE DE PIERROT ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Original Period Frame A THEATRICAL PORTRAIT OF MELANCHOLY “Solitude de Pierrot” captures Charles Levier’s fascination with the archetypal Pierrot from commedia dell’arte. With angular black outlines and muted pastel tones, Levier reduces the figure to its essential gestures, creating a poignant symbol of isolation and quiet reflection. The vertical format emphasizes Pierrot’s elongated stance, while his downcast eyes and red-tipped nose heighten the painting’s emotive impact. This work was acquired directly from the artist by noted Beverly Hills designer Dean Richard Kukuk and retains its original Martin Lowitz Gallery label, underscoring both provenance and historical context. WHY COLLECT THIS WORK? ✓ An early and expressive Charles Levier oil from circa 1950 ✓ Features the Pierrot subject, connecting to the theatrical tradition of commedia dell’arte ✓ Strong provenance: Martin Lowitz Gallery, Los Angeles, and the collection of Dean Richard Kukuk, Beverly Hills ✓ Retains its original period frame in excellent condition with gallery label affixed verso ARTWORK DETAILS: ▸ Title: [Solitude de Pierrot] ▸ Artist: Levier, Charles ▸ Medium: Oil on Canvas ▸ Creation Date: circa 1950 ▸ Country of Creation: US ▸ Signed: Hand Signed Lower Right ▸ Current Condition: Excellent commensurate with age. Original period frame in great condition consistent with age. ▸ Documentation: Martin Lowitz Gallery label affixed to verso ▸ Provenance: Martin Lowitz Gallery, Los Angeles; Dean Richard Kukuk, Los Angeles ▸ Dimensions: — ◼︎ Canvas Size: 44.25 inches x 15 inches — ◻︎ Frame Size: 59 inches x 30 inches x 2.625 inches INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Charles Levier (1920–2003) was a French-American painter known for expressive oils, gouaches, and watercolors that bridge Modernism and postwar design sensibilities. His subjects include harbor towns, still lifes, café society, and commedia dell’arte figures such as Pierrot and Harlequin. Levier’s linear bite and stylized elongations have invited comparison to Bernard Buffet, while collectors of Modigliani, Rouault, and mid-century École de Paris painting...

1960s Italian Signed Still Life With Flowers A beautiful and rare painting by one of Italy's most important avant-garde artists. It depicts a stunning vase of flowers with intense, ...

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

Ignasi Mundó Marcet (1918-2012) - woman in white - Oil on canvas Canvas measures 73x60 cm. Frame size 76x63 cm. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joa...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A sub...

Josep Serrasanta (1916-1998) - Gypsy woman - Oil on canvas Oil measures 65x50 cm. Frame measures 88x73 cm. Josep Serrasanta was born in Buenos Aires (Argentina) in 1916 - 1998 Valdo...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

Lords of the Sky (c.1950) Oil on canvas, 30" x 24" 40" x 34" x 2" framed Provenance: The Artist, his daughter About this artist: Julio De Diego crafted a formidable persona within ...

Bernie Fuchs's painting "Fauve Portrait of Two Women in Blue with Red Abanicos" captures a festive scene of three Spanish women in traditional dress at...