Raey

Circa 1980 France Pierre Balmain three-piece knitwear set in silver and purple lurex. Long-sleeved, tight-fitting top with cuffs. Small turtleneck closing with invisible staples. Long flared skirt with elastic waist, petrol blue stripes, powder pink and purple. Belt and buckle in the same fabric. Tag Les Tricots Pierre Balmain Paris Made in France black graphics on white background. Good condition and color. Dimensions: Skirt: Size 67...

Blue, knit wool dress with crocheted detail from Alaia dating to the 1990's. Fits a size small. Approximate measurements (unstretched): shoulders 13.5", bust 30", waist 23", hips 34"...

MOSCHINO vintage black dress featuring a large cut-out red velvet heart shaped breast. This dress features : - Black wool blend fabric. -...

ALC leather waist navy grey wool tweed colorblocked slim fit pants Reference: CNLE/A00074 Brand: A.L.C. Material: Tweed Color: Grey Pattern: Solid Closure: Zip Extra Details: Black l...

This 1930s eye-catching gown is crafted from lamé in a slate grey blue with the glittering silver and gold metallic weave revealing a scrolling, botanical and floral theme. The ankle...

Pamela Dennis Evenings 2001 Vintage Jet black opaque Very stretchy and incredibly soft fabric Extra long sleeves Ruching along the back which is so sexy, especially with the low back...

For his design mentor Rei Kawakubo's Japanese brand Comme des Garcons, Junya Wantanabe made this inimitable semi-transparent white taffeta floaty ruffled-V-neck sleeveless pullover dress with distinct parachute elements, cutwork, and adjustable ruching and draping as "Look 1 and 2" (see photos) for the Parisian fashion show debut of his Spring/Summer 2003 collection. The stunning combination of contrasts range from romantic-to-combat themes, gathered-to-flowing construction, raw-to-finely-finished edges, soft-to-hard materials, and gossamer-to-dense textural fabrics. Secured on the exterior of the dress with bold silver-tone metallic hardware, the parachute-like 100%-cotton grosgrain straps are mostly enclosed within multiple diagonal and vertical ruched channels to enable symmetrical or asymmetrical draping and lengthening of the thin synthetic fabric into multiple swags. Strap ends can freely hang from the functional hardware on the front of the dress and below its sides--as if they could be yanked to release the fabric into a drifty parachute sail. With the potential to be a stunning formal overlay if worn with a minimalist wedding gown or long skirt, the reverse side of the voluminous dress is equally remarkable for its ruffled diamond-shaped cutout at the lower back, where it is intersected by a trio of linked thick straps that are secured to a looped ruched channel. This creates an elongated bustle with a dramatic central 19-inch slit between the two swags that each extend 43 inches below the outer shoulder hem. This premiere-catwalk dress is distinguished from others in Wantanabe's "Parachute Jumper" collection by the complexity of its top. Two ruched straps form an X-shape via silver hardware at the upper back, extending to the front over the shoulders to form an adjustable face-flattering ruched V-neck with silver-hardware-linked narrow straps. The soft folds of the neckline contribute to the raised ruffle collar, as well as flow to the shoulder seams. The hand-cut hem was designed unfinished and meant to fray, although it has not given its minimal wear and very good condition consistent with only age and storage. See our photos of the care/material tags. All tags remain, including from the Italian concept-store 10 Corso Como, where it was purchased in Milan. The "Made in Japan" size is a large-running "S" due to the pullover and adjustable style of the dress, which is equivalent to an Italian-size 44 or U.S.-size 6. Beyond a convertible dress...

Dolce & Gabbana S/S 2003 Corset Lace-Up Bodycon Midi Dress Size: size tag has been removed, fully adjustable due to lace up back Condition: good vintage condition, some discolorat...

Everybody needs a little black vintage cocktail dress especially when it's Chanel! Circa 1980s, this gorgeous black evening dress features a flattering v-neckline, long sleeves, strong shoulders, and a softly pleated maxi length Silk chiffon skirt. Bodice includes a ruching pattern which displays the iconic Chanel Camilla flower. Asymmetrical pleats create a flattering waist line. The back of the bodice features a zipper closure and is decorated with a row of gold toned Camilla flower buttons with elastic loops. The perfect classic Chanel evening gown to pair with your favorite vintage Chanel jewelry...

As a variation of the traditional waiter-style apron that Belgian former fashion designer Martin Margiela reworked with his eponymous Maison Martin Margiela since its first collection for Spring/Summer 1989, this minimalist convertible transparent black chiffon rectangular garment was part of his Spring 1994 collection. The iconic corner-stitched textural white-cotton brand label is stenciled with seemingly contradictory text referencing an earlier Fall 1990 collection. Instead of the blank label that had become internationally recognized among progressive-fashion buyers during the brand's initial five years, this black print was added in this manner for only one collection during its founder's tenure. This distinct typography identifies it a one of his favorites that he re-editioned from his first 10 fashion shows. This season-less self-curated retrospective collection without any new designs was unprecedented in the ready-to-wear fashion industry, which sold only newly-designed clothes typically two to five times annually. In the early 1990s, this old-made-new-again collection was astonishing for a Paris-based high-end brand, for which any lack of fresh designs for Spring had otherwise been attributed to the loss of an artistic director or the outbreak of war. Nevertheless, there are subtle differences of color, material and draping possibilities that make our re-edition unique from the 1990 apron and from later "replicas", which was the term that Margiela printed on a different kind of label for his second self-curated retrospective in Spring 1999 following 10 more collections. Aside from the text-printed brand label with four characteristic hand-sewn corner stitches, the only other element that unified Margiela's first collection of favorites was that all the items were overdyed a darker color so that the clothes were various shades of grey, blue or black depending on the original color of the textile and how much dye the thread/yarn absorbed. The first Margiela apron...

Purple, floral-printed, silk dress with long waist tie from Yves Saint Laurent dating to spring of 1976 as seen on the runway. Labeled a French size 42 however this fits very small, ...

During John Galliano's first year as French fashion-house Christian Dior Creative Director in Paris for haute couture and ready-to-wear in 1997, he designed for his Spring/Summer 199...