Ralph Holmes Art

Winckworth Allan Gay paints a scenic coastal scene from an elevated perspective overlooking a wave-filled beach below in his work entitled, “Sandy Beach, Cohasset.”

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

This is an original vintage oil painting on board depicting a country landscape with a cottage, figures on a path with cattle, and children at a brook. No Visible signature. Presented in the vintage ornate gold frame...

Antique Quintessential American Hudson River School landscape by an unknown Hudson River School artist. This painting features its original period gold frame, and a charming scene o...

In creating this piece, I was mesmerized by the timeless dance of light and shadow amongst the leaves. It's a love letter to nature's majesty, an oil on canvas where realism meets im...

Painted during the 2015 Winter Equestrian Festival in Wellington, Florida. A black and white depiction of a canal, is barely recognizable, due to Fenske's wild brushstrokes and lack...

ABOUT THE ARTWORK "Water Lily Garden" is a tranquil portrayal of serenity and natural elegance. The artist has skillfully captured a moment in time where the water's surface becomes ...

This vintage, original colored pencil drawing titled Untitled (Storm over Desert Landscape, Arizona) was created in 1924 by celebrated American artist George ...

Edith Isaac-Rose "Cubed Abstract" 1960s Pastel on paper 6.5"x7.25 unframed Signed in pencil lower right. Came from a portfolio of her work. *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Born in Chicago in 1929, and neé Ganansky-Teitelbaum, she graduated from The Art Institute of Chicago in 1951 and moved to New York in 1959 where she lived ever since. Taking as her professional name her parents’ first names, Edith was a prolific artist working first as an abstract expressionist then turning in the 1980s to figurative, political work consisting of drawings, paintings, and embroideries which she called “Daily Rage”. She had been represented by the Phyllis Kind...

Tulips are recognized worldwide as harbingers of spring. Their widespread popularity has led to them becoming a perennial muse for artists, a symbol of spring, and the subject of vib...

A charming depiction of Restaurant Cafe, located in Amsterdam. A cozy impressionistic street scene with colors of vibrant turquoise, lush greens, and yellow ochres. This painting was...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...