Raymond Bailly Art

19th century school Study of peonies and wisteria Oil on paper 26.2 x 39.4 cm 3 corners cutted

French School, 19th century. Still life with oranges. Oil on canvas mounted on panel. 22.5 x 54 cm (49 x 60,5 cm with frame) without signature

18th-century school Pastoral landscape with a river Oil on paper 17.5 x 24 cm (22.5 x 29.5 cm with frame)

Robert Kummer (1810 - 1889) Nocturnal Landscape with Two Horsemen Oil on paper mounted on board 19.4 x 28.2 cm (48.7 x 41 cm including frame) Signed lower left

Rene Genis (French 1922-2004) “Nature Morte A La Table Pliante” Still Life On A Folding Table. Oil on Woven Paper (BFK). Oranges and reds predominate wit...

18th-century school Landscape with Two Storks Oil on paper 17.5 x 24.3 (21 x 28.5 cm with frame)

17' century Still-life oil on canvas with Fruits and an amazing red parrot background with landscape and garden with architectural elements. Gilt painted frame . It is attribute...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Wissour (second half of 18th century) View of forest Oil on paper 17.9 x 23.4 cm (22.4 x 28.2 cm with frame) Without signature This work is part of a series of oil paintings on p...

Rene Genis (French 1922-2004) “"Les Lis" / The Lilies - 1969” Still Life of lilies in a vase with fruits about on the table. Oil on Woven Paper (BFK). Reds, browns predominate with g...

Title: Basket Of Cherry Medium: Oil on canvas Size: 23.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Maybe it's just the chair with straw seat, or the vivid orange-brown tone, but this painting brings Van Gogh to mind, though technically it is fa...