Raymond Bailly Art

Mark Schwartz's "M.Y. 3" is an original, handmade oil painting that depicts a portrait of a female model gazing downward as her black hair blends into the darkness of the background.

'Portrait of a Young Man', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the tr...

A powerful American Expressionist School study of poppies shown informally arranged in a lilac container. A heavily-impastoed oil showing bravura brushwork and demonstrating an elega...

Carl Linstrum's "Other Side," "Fade," and "Emerge" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of ...

Artist: Alec Cumming Title: Forms Inside the Moment Medium: oil on paper Size: 69cm x 99cm (27” x 38”) Year: 2016 Alec Cumming Exhibited at Alec Cumming...

Signed lower right, 'Dambourgez' for Edouard-Jean Dambourgez (French, 1844-1931) and painted circa 1880. Edouard-Jean Dambourgez first studied under Jules Lefebvre and, later, as an engraver and chromo-lithographer with Gustave Boulanger. Dambourgez commenced exhibiting in 1880 at the Salon des Artistes Français, and, in 1883, was elected a member of the Society. He exhibited frequently and with success at the other major Paris salons including the Salon d'Automne, the Salon des Independants and the Salon des Champs-de-Mars. In 1884, he was commissioned by the Louvre to engrave the illustrations for the catalog to the Thiers Collection, recently bequeathed to the Museum. The recipient of numerous prizes, medals and juried awards, Dambourgez received an honorable distinction in 1888 and an honorable mention in 1891. In 1888, the critic Albert Wolff spotted his canvas 'A Cheese Shop' and recommended its inclusion at the Salon des Artistes Français. In 1891, the city of Paris bought his large canvas, 'The Cream and Cheese Market...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Still life with flowers and apple. Oil on paper, 39. 5 x 30 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monu...

Signed lower right, 'D. Styles' for Darwin Styles (American, 1827-1909) and dated 1885. Portrait, animal, and landscape painter, Darwin Styles, was, by 1846, living and working in a...

Four precisely configured and painted circles form a contemplative pyramid at the foot of a neutral ground. The areas between the shapes in this minimalist still life acrylic on plex...

Apartment Interior #2 - Watercolor and Pen on Paper Detailed interior scene by Doris Lyons Hoover (American, 1927-2014). The apartment is furnished with several chairs, one of which is wicker, with a bookshelf behind them. The room is decorated in shades of green, brown, and blue-grey. There are two light green carpets on the floor. Signed "Doris Hoover" in the lower right corner. Location information in lower left corner. Presented in a wood frame. Frame size: 17"H x 21"W Image size: 9.75"H x 13.5"W Doris Lyons Hoover (American, 1927-2014) was born in Fort Payne, Alabama, on Oct. 8, 1927, on her grandparents' farm. She was raised in Chattanooga, Tennessee, and attended college at the University of Chattanooga, (now UTC) where she received honors in ar. At U.C. she met her husband Jack Hoover, and the couple moved to Palo Alto in 1954. Doris Hoover became a nationally known fabric artist, teacher, lecturer and co-founder of the Peninsula Stitchery Guild, a leading organization in the Bay Area Crafts Movement of the 1970s. Her beautiful, often playful quilts, soft sculptures and creative stitchings grace...

Oil, acrylic, spraypaint on canvas. Bridge to a friend of the artist's house.