Raymond Pease Paintings

Ignacio Zuloaga was born in Eibar, Spain, in 1870, into an artistic family; his father, Eusebio Zuloaga, was a renowned metalsmith and arms designer, and his grandfather was a decora...

"Of Ships and Men" - Nautical Trompe l'Oeil Composition in Oil on Board Maritime still life by Russell Tripp (American, 1942-2025). This hyper-realistic painting captures a collecti...

Original oil on linen painting laid down to original fiberboard by the well know American artist, Max Kuehne. Signed in pencil verso upper left. Circa 1928. Condition is very good. ...

André Petroff, Russian painter from Saint Petersburg - Village in the hinterland of the French Riviera, 1920s-30s Oil on cardboard, 46 × 44 cm Signed lower right Painted by André ...

Giovanni Korompay (Italian, 1904-1988), Mountainous Landscape Scene, Oil on Board, signed lower right and to verso, silvered wood frame. Image: 14" H x 18" W; frame: 20.75" H x 25" W...

Marc Khonsky (American Russian, 1927-2017) Untitled (Winged Prophet Playing Music) 1978 Oil on board Hand signed and dated lower right Dimensions: board: 14"h x 11"w, overall (with frame): 19.5"h x 16.5"w This depicts a winged angel in the guise of a rabbi, possibly the messiah, moshiach, or Prophet Elijah blowing a shofar over the old city of Jerusalem. A masterpiece laden with mystical symbolism. Marc Klionsky (Марк Клионский) (1927 – 2017) was a Russian-American Jewish artist who worked in New York City from his immigration in 1974 until his passing in 2017. Klionsky developed a style of American Realism uniquely defined by his classical training in the Soviet Union and his perspective of daily life in New York and America. Over the course of his career, Klionsky painted portraits of prominent world figures who shaped the 20th century. John Russell, art critic for The New York Times, described him as "a good man and a brave man and one of the most eloquent painters around. We need him" and as "one of the best portrait painters around." Marc Klionsky was born in Minsk, Belarus to a Jewish family in 1927. His father, Leo (Zev Vulf) Klionsky was a printer from Borisov, Belarus. The son of a woodcutter and engraver Klionsky's father moved to Minsk and eventually married Liza (née Rozenstein) in 1926. As a child, Klionsky attended the Art School for Gifted Children in Minsk. During World War II, Klionsky's family was evacuated to Kazan, Republic of Tatarstan, where Klionsky began to earn a living producing anti-Fascist posters and illustrations for local newspapers and other publications. Klionsky studied at the Drama Institute at the Kazan Theater, where he primarily focused on developing costume designs for various productions. After the war, Mark Klionsky attended first the Serov Art Institute before entering the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture (now known as the Russian Academy of Arts in Saint Petersburg). Klionsky's diploma piece was reproduced in an edition of 50,000 copies and distributed throughout the USSR. Klionsky received his PhD in 1957, during which period he studied with Professor Boris Ioganson. Klionsky became the youngest artist to be exhibited at the Tretyakov National Gallery in Moscow. During this period, Klionsky met his future wife of nearly 59 years, Irina Klionsky (née Korolik), with whom he had two daughters, Nadia, an artist, and Elena, a pianist. Klionsky established himself in the Soviet Union initially by producing official Social Realist works that depicted political figures and daily life in the Soviet Union. However, in the privacy of his own studio, Klionsky began to explore the themes of Jewish life, anti-Semitism and the Holocaust. He soon discovered the creative and intellectual restrictions of working as a Jewish artist in the Soviet Union. After Klionsky left the Soviet Union with his family in 1974, traveling first to Rome, Italy and then to New York, he expressed in his work the newborn freedom that he found in America. Shortly after his arrival, he was recognized in an ABC television production about his work, Canvases of Freedom. This was followed by a U.S. State Department documentary (produced by the U.S. Information Agency) shown in ninety-two countries about one of his exhibitions at Hammer Galleries. During this period, Klionsky also taught at the School of Visual Arts in New York and at the Pennsylvania Academy of Fine Arts in Philadelphia, birthplace of the Ashcan School of American Realism. While Klionsky took advantage of his creative freedom in the United States to explore a range of abstract styles and media, he ultimately gained prominence as a master of portrait painting and of American Realism. His works include portraits of leaders in the world of politics and humanitarianism, such as Israeli premier Golda Meir, Elie Wiesel, Prince Bandar Bin Sultan, and Vernon Jordan; music, including Dizzy Gillespie, Mstislav Rostropovich, and B.B. King; business leaders Armand Hammer, Steve Forbes, and Dwayne Andreas; and many others. His portraits are in the permanent collections of the National Portrait Gallery in Washington, D.C., the Russian Museum in St. Petersburg, and the Museum of Contemporary Art in Lausanne, Switzerland. Klionsky was also honored during his lifetime to have been selected to sculpt the Nobel Peace Prize Commemorative Medal for Elie Wiesel. During his lifetime, Marc Klionsky's paintings and prints were exhibited throughout the Soviet Union, Europe, America, Israel and Asia, as well as Australia and New Zealand. His Soviet works were exhibited in the Tretyakov National Gallery in Moscow and the State Russian Museum in Leningrad multiple times throughout the 1950s. In 1962, his work was shown alongside that of Marc Chagall at Grosvenor Gallery in London. Separately, his work was shown along with other Soviet artists at the time in West Berlin, Hiroshima, Rome, and New York. After emigrating to New York in 1974, his first international exhibition was held in Paris at the Salon des Reprouves with Galleries Hardy in 1978. His first solo New York show took place a Nakhamkin Fine Arts Gallery on Madison Avenue in 1979, after which Klionsky was represented by Hammer Galleries for the remainder of his career. Klionsky had several solo shows in Europe between 1991 and 1992, showing at the Musée d’Art Contemporain in Lausanne, Switzerland, the Salon Internationale des Musées at the Grand Palais in Paris, France, and his "God Bless America" traveling retrospective that began at the St. Ingbert Museum in Germany. The last exhibition of Klionsky's work during his lifetime was at an event titled "Painting the Face of Russian Jewry: The Art and Journey of Marc Klionsky” at Brandeis University in Waltham, Massachusetts in 2010, with presentations made by Sir Antony Polonsky, Emeritus Professor of Holocaust Studies, and Professor Nancy Scott, former chair of the Fine Arts department at Brandeis University. Marc Klionsky's works hang in the collections of the National Portrait Gallery in Washington, D.C., The Elie Wiesel Foundation for Humanity in New York, the Musée d’Art Contemporain in Lausanne, Switzerland, the Yad Vashem Art Museum in Jerusalem, Israel, and the State Hermitage Museum and the State Russian Museum in St. Petersburg, Russia, among other private and public collections internationally. He was part of a tradition of Soviet Jewish artists that included El Lissitzky, and Natan Altman, Marc Chagall, Robert Falk, Anatoly Kaplan, Ilya Kabakov, Oscar Rabin...

Ellen Ladell British, (1853-1912) Still Life of Fruit & Exotic Birds Oil on canvas laid on board, signed Image size: 17.5 inches x 13.5 inches Size including frame: 24.75 inches x 20.75 inches Provenance: Sotheby’s The British Sale, 2003, lot 256 A beautifully painted still life of fruit with a glass dome and taxidermy birds by Ellen Ladell. Grapes, plums and a peach are shown grouped on a floral patterned green cloth at the front of a marble topped table. Behind the fruit is a large glass display dome with an arrangement of exotic taxidermy birds. The reflection in the glass gives the viewer a glimpse of a tall window with a house beyond, adding another dimension to the painting. Ellen Ladell was born Ellen Maria Levett in Ipswich in 1853 to George and Maria Levett. Her father was a foundry smith and the family lived at 30 Borough Road in Ipswich. She initially worked as a Milliner around 1871 but sought artistic training during her spare time. It is at this point she met and became a pupil of the still life painter Edward Ladell (1821-1886), who at that time was a widower. Ellen married Edward in Great Yarmouth on 21 October, 1878. The couple initially moved to Torquay where they had their son Kenwyn in 1880, but then decided to settle in Exeter, living at 99 Sidwell Street and setting up a studio at 20 Queen Street. Edward’s influence can been seen in her work as their styles and subject matter share some similarities. However, a number of Ellen’s paintings also included taxidermy under glass...

Little portrait by Arturo Noci realized in 1909 probably in US. Oil on board. Bronze frame Signed and dated by the artist at bottom right. Very good conditions.

A brilliant early 20th century impressionist floral still-life by William Clapp (American, 1879-1954). Beautiful and bold, this 1920's pink floral still-life pops against a bright blue background. The artist uses expressive and loose brushstrokes in a fun and energetic palette, bringing a dynamic and lively energy to this one-of-a-kind piece. Signed lower right, "W. Clapp". Oil on old Canada packing crate board and presented in a rustic wood frame. Board size: 20"H x 24"L. Framed size: 24"H x 28"W. This an early work by the artist which is distinctive in his bold Impressionist style before he merged into his signature pointillist style. Born in Montreal, Canada of American parents on Oct. 29, 1879. At age six Clapp moved to California with his family, settling in Oakland where he spent his childhood. In 1900 he returned to Montreal for four years of study with Wm Brymner followed by further study in Paris at Académies Julian, Colarossi, and Grande Chaumière. He then returned to Montreal where he was elected an associate member of the Royal Canadian Art Academy. He lived and worked in Cuba before returning to Oakland in 1917. He then served as director and curator of the Oakland Art Gallery from 1918-49. In this position, and as a member of a group of painters called the Society of Six...

Signed lower left. In this painting, Morrell brings to life a bustling seascape off the coast of Rockport. The work showcases his artistic signature, with an impressionistic brushs...

Seymour Remenick (American, 1923-1999) Oil on board Dimensions: 10.5 x 9.5 in, 14.5 x 13.25 in (framed). Hand signed lower left Remnant of gallery label verso Men with birds, These...

Georg Stoopendaal (1866–1953) A Woman in the Field oil on board signed G.S unframed 23 × 31 cm (9 × 12 ¼ in) framed 33 × 41 cm (13 × 16 ⅛ in) In this quietly atmospheric scene, a ...