Richard Müller Furniture

This example is untitled, but depicts a cat and bird with head of a woman, and is numbered 54/99 and signed and dated 1999 and is in perfect condition. The artist is Guillaume Bever...

Original midcentury abstract art exhibition poster with wonderful vivid colors of blue, red, green, beige, etc... Very decorative, signed by t...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Salvador Dali - Corrida - Vintage Poster with Etching Etching made behind a menu in Restautant Duran as a tribute dinner to Salvador Dali and his wife Ga...

Set of four framed botanical color prints after the renowned Scottish architect, designer, and watercolorist Charles Rennie Mackintosh.  Each piece features a stylistic watercolor pl...

Joan of Arc in Armor, Antique Hand-Colored Costume Lithograph, c.1845 This striking antique hand-colored lithograph depicts the legendary French heroine Joan of Arc (Jeanne d'Arc) s...

Joan Miro "The Singing Fish" Lithograph, 1972. Signed lower right, and marked H.C. lower left in pencil. Image size 14" x 17". The Singing Fish uses colors of blue, green, yellow and...

A pair of 1910 framed prints of Asian porcelain in giltwood frames. Beautifully matted in French matts.

Early 20th century Japanese woodblock print in frame. Unsigned. From a series depicting the night attack and flight of Emperor Go-Shirakawa from the Sanjo Palace to escape the Minamo...

Vintage Richard Anuszkiewicz lithograph, 1970: Title: "Yellow Reversed". Off-set lithograph in colors. Size: 11.25 x 16.75 inches. Center fold-line as originally issued; Very goo...

18th Century Anatomical Skeleton Study Engraving Academic Figure German Edition c1745 This finely engraved anatomical plate presents two standing skeleton figures shown from frontal...

Anatomy Print: Skeleton, Skull, Organs & Nerves Study – Antique 1867 This detailed antique print presents a comprehensive anatomical study from the 19th century, depicting the human...