Richard Thomas Davis Art

Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock Rightmost panel a triptych, depicting a group of children and a samurai watching a "duel" with cherry blossoms. Th...

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

Henri MATISSE (after) Family - Drawing 1967 Lithograph printed in MOURLOT workshop Printed signature in the plate 75 x 52 cm (c. 30 x 21") Original lithograph poster for the exhibit...

Kehinde Wiley Andries Stilte oversized beach towel, 2008 Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry 70 × 60 inches Edition of 2000 In original packaging with ta...

Stride for Days and Stride for Days Upside Down Diptych by Amy Gardner [2021] limited_edition Screenprint Edition number 25 Image size: H:59.4 cm x W:42 c...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Lowell Nesbitt Red Rose, 1985 Silkscreen on wove paper Signed, dated, and numbered AP 9/25 by Lowell Nesbitt on the front 24 × 24 inches Unframed Hand signed,...

Hand signed, dated, and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition: PP of 5, aside from edition of 30 plus 10 artist's p...

Firework. 1970, paper, silk screen printing, 85x61 cm Josif Elgurt (1924-2007) Born in 1924 in Kishinev in Romania. In 1947 resumed his art studies in Kishinev. Since 1952 he has l...

William Waitzman August Lake (from the Memorial Sloan Kettering Art Collection), 2016 Hand printed color silkscreen on wove paper Pencil signed and numbered 4/14 on the front Frame i...

Hand signed, dated, and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition: PP of 5, aside from edition of 30 plus 10 artist's p...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Iris on Silver Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 22.5 in. diameter Size...