Richard Whorf Art

Oil Painting of Glaramara and Combe Ghyll in the English Lake District by Modern British Landscape Artist Arthur Terry Blamires (b. 1930) Art measures 20 x 16 inches Frame measure 2...

Original Oil Painting of River Landscape of Glenfinnan in the Scottish Highlands by 20th Century Artist, Robert Egginton. Art measures 30 x 22 inches Frame measures 36 x 28 inches Presented in the highest quality hand-finished off-white Frinton moulding. Robert Egginton was born in Devon in 1943 and is a landscape painter in watercolours and oils. He paints mainly Scottish scenes in an accurate pictorial manner, with a bright palette. He is the grandson of Wycliffe Egginton RI (1875-1951) and nephew of Frank Egginton...

Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...

Milton Derr Spring, 1982 Signed lower right; titled and dated verso Oil on canvas 26 x 28 inches Provenance Acquired by descent from the artist to the present owner Milton Derr wa...

Vintage Winter Snowy Mountain River Landscape Oil Painting of La Rivière du Nord in Canada, by 20th Century Canadian Artist, Sydney Berne (1921-2013) Ar...

Meet the genuinely exciting modernist William Einstein, who is probably better known in Europe, where numerous publications on his work have been written, than in his native US! Eins...

Georgina Klitgaard Bearsville, New York Signed lower right Oil on canvas 26 1/4 x 32 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ...

Night Life in the City - Figurative Cityscape Mid 1960s cityscape by an unknown artist. Oil on artists board. Image, 16"H x 20"W

Vintage Sunrise Landscape - Sandpipers on the Shore in Oil on Canvas Gorgeous landscape of a coastline in warm sunrise colors by San Diego artist Richard Keith (American, 1937-2003)...

Initially read as archaic and simple, Halleluja is a complex celebratory spring painting full of color, imagination, and humor and combines many elements seen throughout her later ca...

Vintage realist barn landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to ha...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...