Robert Bery Paintings

Zhai Xinjian (China, b. 1950) "The Nude Model Girl" oil on canvas depicting a female nude model posing seated on a draped stool, within a giltwood frame. Signed in Chinese and dated: 1987-9-20 (lower-right). Listed and illustrated in The Hefner Galleries contemporary oil paintings from The People's Republic of China Brochure of Zhai Xinjian, recent paintings, May 3-28, 1988. (See the images of brochure/pamphlet from Hefner Galleries - The brochure/pamphlet is NOT included with the purchase of this item.) Canvas height: 29 inches (73.7 cm). Canvas width: 22 1/2 inches (57.2 cm). Frame height: 35 1/2 inches (90.2 cm). Frame width: 28 1/2 inches (72.4 cm). The current auction...

This work is signed and dated PLUM 2011 recto and verso of the canvas; Canvas Size - 24" x 24" x 1.5" profile; Framed Size - 25.5" x 25.5" Black synthetic float frame included. Andr...

This work is signed, dated and titled "PLUM 2008 Caravan” verso of the canvas and signed PLUM on recto; canvas size - 16" high x 20” wide x 1" profile; framed size- 18.75” x 22.75” x...

Midcentury abstract oil painting on canvas. Colorful Mid-Century Modern abstract impasto oil painting on canvas. This stunning square ...

Parisian cityscape, signed and framed oil on canvas by Serge Belloni, ‘57 This painting has all the quintessential features of Belloni’s renowned Parisi...

This ceiling to floor large-scale painting is an intimate portrait of Lazard's workspace and creativity. "That is how I spend my time all the time," says Lazard. Part of the genius o...

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

Mixed media painting signed Patricia St John Danko. This interesting abstract mixed media study in black by listed 20th century Texas artist Patricia J...

Perhaps the largest original Robert Loughlin on the planet for sale. 6 feet wide. Circular canvas with orange and black paint. Massive 'Brute' with characteristic cigarette. Excellen...

"Memorie" #14033, mixed media on paper depicting some of his favorite subjects - his dog, his mother, his farm, his chicken. Gallery framed in matte white wood frame, live image measures 37 x 28.5 inches. Gianfranco Asveri was born in Fiorenzuola D’Arda, Italy, in 1948. The artist lives and works at Gasperini on the hills between Parma and Piacenza with his beloved dogs. He began to paint in 1969. His first work was merely figurative. In the 1980s he moved closer to the “Art Brut” style. Renowned in Italy, Asveri has just finished a solo exhibition in Genoa at the Medioeval “Commenda” and will be presented in Paris next February during the Contemporary Art Fair in Port de Versailles. Recently, the newspaper “Il Sole 24 Ore” (The Italian Economic newspaper) included Asveri among the artists to watch in terms of investment in the Italian Art Market. An appreciable number of famous critics have written essays about his works: Paolo Bledinger, Luca Beatrice, Flaminio Gualdoni and Martina Corgnati. Most important exhibitions: 2016 – Sogni dipinti, Galleria Rotaross, Novara. – Lo sguardo nascosto, Galleria Biffi Arte, Piacenza. 2015 – Abracadabra, Galleria Leonardus, Sestri Levante...

21st century painting by Greg Dickerson. Mixed-media on paper.

Exquisite painting by prominent artist Fred Otnes, Jr of a figural woman in gold, orange and warm earth colors. This unique mixed media of oil and collage has diverse layers in the painting although to the touch the painting is smooth. This piece is painted on board and is found in a gilt leaf frame with a linen liner. Signed on the lower right corner as well as what appears to be on verso on the craft backing paper. From the personal collection of the artist. Image only is 29.25" high by 26.25" wide. Colors on the painting may vary due to room lighting and photography. Fred Otnes (1925-2015), was a prominent illustrator, painter and collage artist who embraced abstraction. “Fred Otnes brings to his collage paintings a classical refinement and control that makes poetry out of chance pictorial effects,” the artist and critic Maureen Mullarkey wrote in reviewing a retrospective in Manhattan in 2006 for The New York Sun...