Robert Burch Mixed Media

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A striking and completely unique abstract fibreglass sculpture from the artist's own home. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Concrete Fram...

A rare and textural abstract wall sculpture by renowned folk artist and preacher Rev. Howard Finster (1916–2001), dated 1992 and numbered 25,000,621. This signed piece is hand-painte...

Three blown glass orbs that contain assembled clock works, wheels, sprockets and coils, hang from fine chain in this unique wall sculpture. The elegant orbs in three sizes are define...

Chris Wood’s "Circle 11" is a dichroic glass light sculpture that captivates with its dynamic interplay of reflection and refraction. This contemporary geometric artwork features an intricate spiral of iridescent glass pieces, which shift in hue depending on the light and viewing angle. The piece harnesses natural and artificial light to create an evolving spectrum of colors, making it ideal for collectors of optical art, kinetic sculpture, and modern light installations. The rhythmic arrangement of elements invites viewers into a meditative experience, blending minimalism with an ethereal sense of movement. Wood uses a range of high and low-tech optical materials to harness patterns of light that suggest ephemeral glimpses of moments in the natural world. Her minimalist sculptures are simple arrangements creating kinetic patterns in response to the environments in which they are placed. The artist often uses a material called dichroic (meaning “two color”) glass, which was developed by NASA in the 1950's. Dichroic glass has a special optical coating meant to reflect certain wavelengths of light while letting others through, creating beautiful projections of light and color depending on the environment in which the artwork is placed. This 20 inch square sculptural artwork...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Granny's Curse Jar Materials : Stoneware, Underglaze, Glaze Date : 2015 Dimensions : 4" x 3.5" x 3.5" Description : Ceramic jar with vintage textile prints and vignette phrases Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present. Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO. With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts. Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art. Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...

Unknown/ Unidentified Artist, "Red Devil", Wooden Figurative Folk Art Sculpture, 30 H x 10 W x 6 D, 20th Century, ca. 1989 Colors: Red, Brown, Black Proven...

Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...

Rare child's Windsor chair, ca. 1880s. American antique, crafted in Maine. Original red wash. Seat is 22" from the floor. Originally made for a child. (Does not conform to today's sa...

"Introduction" Mixed Media Light Installation 30" x 30" in by astrothebaptist Dichroic optical filters on painted wood birchwood panel and single source of light installation Compo...

Slumped cast glass and found metal tool. One of five pieces from Mary Shaffer's "Tool Wall" series selected for Sonoma Valley Museum of Art's exhibition "Pairings: 16 Artists Creati...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...