Robert Philipp Still-life Paintings

Rene Genis (French 1922-2004) “bouquet au fons rouille” / bouquet with rusty frons. Oil on woven paper stock with deckled edges laid down on matt board. Signed lower right, titled v...

Guy Bardone (1927 - 2015, French) "Nature Morte à la Table Blau (?)" / Still Life at the (?) Table. Oil on canvas with a lovely frame surrounding. The picture in greens and browns...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Louis Auguste SECOND, known as FEREOL (Amiens, 1795 - Orleans, 1870) Still Life with Mallard and Hare Oil on paper mounted on canvas Signed and dated at the bottom Exhibition labels in the upper left corner 37 x 27 cm 1854 Louis-Auguste Second, known under the name of Fereol, had an interesting multifaceted artistic career. He was born in an acting environment: himself the son of an actor, he was the cousin of Marie Dorval (the famous romantic actress who was Alfred de Vigny's mistress) and the nephew of Mademoiselle Mars. After having done the military school of Saint-Cyr, he became a second lieutenant in the young imperial guard and took part in the campaign of France in 1814. But he quickly reconverted in the spectacle and becomes in 1817 lyric singer (tenor) at the Opéra-Comique where he officiated until 1838, before exercising his talents at the Théâtre de la Renaissance. He is also a playwright (for example he wrote "Five Years of Intermission" in 1833). A fairly famous figure at the time, his miniature portrait by Paul Gomien was exhibited at the Salon of 1835. Painting is another of his activities, and not the least. A pupil of Xavier Leprince, he exhibited at the Salon in 1824, and this very regularly until 1848. In 1834, he exhibited no less than 7 paintings! These are essentially landscapes, of a fairly classic style, representing views of the North (Douai, Boulogne, etc.), Picardy (Amiens), Paris and its surroundings, Fontainebleau, and above all of Sologne and Orleans, city where he attended high school. At the Salon, he was domiciled in Paris at various addresses in the Batignolles district until 1835, then in Orleans from 1837. Widower in 1832 of his cousin Eugénie Boutet de Monvel whom he had married in 1822, he retired to his property of "L'ormette" in Saint-Denis en Val in the Loiret, before settling definitively in Orléans itself. in 1846. He leads a fairly active social life there (he had already founded the Musical Institute there, for example). His son Félix was born there in 1825, where he was a lawyer before embarking on a career as a doctor. A staunch Bonapartist, holder of the Saint Helena medal, he was awarded the Legion of Honor in 1862. His exaggerated patriotism manifested itself one last time when he committed suicide on September 5, 1870 after learning of the surrender of Sedan. He is the great-grandfather of the brothers Jacques and Pierre Brissaud, the famous painters and illustrators. Representative of the French tradition of hunting still lifes, this painting depicts a hanging...

Onofrio Loth (Naples, Italy, 1665 – 1717) Title: Still life Medium: Oil on canvas Dimensions: without frame 37.5 x 47.5 cm – with frame 50 x 57 cm Original ebonised wooden frame wit...

Stilllife with dead Birds, Fruits and Vegetables Oil on Canvas, 101 x 84 cm signed (upper left) „G Libald “ (G and L ligated) Provenance: Private Collection, Brussels; Private Coll...

Marc Joseph Octave Théodule BOISSIN (Bénévent-l’Abbaye, 1839 - Paris, 1891) Allegory of Geography Oil on canvas Signed lower right 75 x 125 cm without frame 100 x 150 cm with frame...

17th-century Roman Maestro Title: Still life with parrot, fruit, flowers and metal jug on a cloth Medium: Oil on canvas Dimensions: without frame 64 × 118 cm - with frame 88 x 140 x ...

Samantha Van Heest explores the intimacy of impermanence through her work, utilizing still life, found objects, and portraiture through minimalist r...

Shit happens sometimes. In this piece, the artist wanted to create an unsettling and claustrophobic space where people feel most private and vulnerable. Inspired by artist Tala Madani, she created a cartoon figure to act as the voyeur, a bright and unwelcome disturbance that cannot be ignored. Samantha Van Heest...

Ellipses plays with the nature of awkward interaction and subtle facial expressions. Is it all internal, or can awkwardness feel like a palpable and personified presence? Samantha Van Heest...

17th-century Roman Maestro Title: Still life with crockery, fruit and flowers on a cloth spread over a table Medium: Oil on canvas Dimensions: without frame 64 × 118 cm - with frame ...