Robert Philipp Figurative Paintings

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

This lovely impressionist painting portrays what appears to be a family outing or picnic. There are many beautifully dressed women with their children in a park setting. Oddly, wha...

A beautiful mid century nude figure study of a red haired woman standing with plants by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collec...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...

Mid century nude figure study of a woman in a blue chair by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Presented ...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

C.W. Mundy's "Above the Falls, Yellowstone River" is an original, handmade oil painting that depicts the tumultuous green and blue water swirling with grey rocks in the background. About the Artist: Charles Warren Mundy b. 1945, Indianapolis, IN. Master Signature Member, Oil Painters of America Master Status, American Impressionist Society Fellow, American Society of Marine Artists Signature Artist Member, California Art Club Inaugural Artist In Residence, Indianapolis Children’s Museum Professional Affiliations Fellow, American Society of Marine Artists, 2015 Signature Artist Member, California Art Club, 2012 Master Status, American Impressionist Society , 2007 Signature Member, American Society of Marine Artists, 2005 Master Signature Member, Oil Painters of America, 2002 Signature Member of the Oil Painters of America, 1993 Indiana Plein Air Painters Association Hoosier Salon Indiana Heritage Arts Indiana Artists...

Female nude figure at the beach by listed artist Jon Blanchette (American, 1908-1987). Presented in a wooden frame. Signed "Jon Blanchette" verso. Image size, 24"H x 18"W. Jon Blan...

Mid Century Modern Portrait of Woman in Green Dress Original Oil Painting Evocative mid century modern portrait of woman in green dress by California artist Genevieve Rogers (America...

Marguerite Stuber Pearson was a firm proponent of the Boston School tradition, characterized by her mastery of academic technique and the selection of traditional subjects of portraiture, figures in interiors and still lifes. In her debut exhibition at the Guild of Boston Artists in 1931, one reviewer happily reported that her paintings were “executed in the best Boston School tradition.” Upon seeing the show, Edmund Tarbell...