Vintage Americana Oil Painting, "Paper Box" Robert Sarsony, ACA Gallery
By Robert Sarsony
Located in Surfside, FL
Robert Sarsony Oil on gesso and masonite board. Hand signed lower left. Labels verso give artist, title "Paper Box", year 1971 and medium. Bears label from ACA Gallery. Dimensions...
Gesso, Oil, Board
$3,600
Large Oil Painting Central Park in Winter Robert Sarsony New York City in Snow
By Robert Sarsony
Located in Surfside, FL
Robert Sarsony Hand signed Oil painting on canvas Titled verso "Winter in the Park" Dimensions: 30 X 40 inches. not framed Snowy NYC park scene. It depicts the iconic Angel of the...
Oil, Canvas
$2,750
H 26 in W 48 in D 1 in
“Kennebec” Ship Portrait Sidewheeler Steamboat Paddle Steamer Oil on Canvas
Located in Yardley, PA
A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...
Canvas, Oil
A Quiet Afternoon in the Park
By Richard Creifelds
Located in Mc Lean, VA
Canvas, Oil
$12,500
H 17 in W 13 in
Love Mirror Oil on Canvas, Signed Magazine Cover, Circa 1937, 17x13
Located in Miami, FL
Love Mirror, True Experiences magazine cover, February 1937 by Female Illustrator and Pupl Artist Georgia Warren Oil on canvas 17 x 13 inches (43.2 x 33.0 cm) Signed lower left: War...
Canvas, Oil
$750
H 34 in W 28 in D 2 in
Portrait of a Lady, Oil on Canvas, 1840's, In Style of Jacob Eichholtz
Located in Doylestown, PA
This interior portrait of a woman dressed in an elegant lace shawl is a 30" x 25" oil on canvas painting in the style of Jacob Eichholtz. The artist is unknown but the painting is believed to have been painted in the 1840's. It is not signed but framed and in good condition. Provenance: Private Collection, Old Queens Gallery...
Canvas, Oil
$15,000
H 25 in W 28 in
Post Office WPA Mural Study American Scene Social Realism Modern 20th Century
By Carlos Lopez
Located in New York, NY
Post Office WPA Mural Study American Scene Social Realism Modern 20th Century Carlos Lopez (1910-1953) "Bounty" WPA Mural Study for Michigan Post Office 19 ½ x 22 ½ inches Oil on B...
Oil, Board
$32,000
H 19 in W 27 in D 3 in
Women's City Club, Youngstown, Ohio. American Historical Scene Painting.
Located in Marco Island, FL
An accomplished American Scene painter, Clyde Singer successfully captured everyday life during his long career. A unique aspect of American life is depicted in this painting, entitl...
Oil, Board
$2,750
H 26 in W 48 in D 1 in
“Penobscot” Ship Portrait Sidewheeler Steamboat Paddle Steamer Oil on Canvas
Located in Yardley, PA
A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...
Canvas, Oil
$13,200Sale Price|20% Off
H 12 in W 9 in
Girl with Braided Hair, Raphael Soyer
By Raphael Soyer
Located in Fairfield, CT
Artist: Raphael Soyer (1899-1987) Title: Girl with Braided Hair Year: Circa 1947 Medium: Oil on canvas Size: 12 x 9 inches; framed size, 19 x 16 inches Condition: Excellent Inscripti...
Canvas, Oil
$7,500
H 19.5 in W 15.5 in D 1.5 in
“Eastern White Pines, c. 1910”, New England Landscape, Signed Oil Painting
By Charles Warren Eaton
Located in Yardley, PA
“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...
Canvas, Oil, Board
Sold|$1,289
H 12 in W 10 in
Antique American Oil Painting Portrait Young Woman Necklace Period Frame Rare
Located in Buffalo, NY
A beautiful and rare antique American portrait of a young woman in a stunning period frame, likely original to the piece. Unsigned but beaut...
Oil, Canvas
$1,042Sale Price|20% Off
H 23 in W 19 in D 1 in
Arctic Stream in Forest Landscape with Lush Green by 20th Century British Artist
Located in Preston, GB
Arctic Stream in Forest Landscape with Lush Greens & Blues by 20th Century British Artist, Jack Strickland Art measures 16 x 20 inches Frame measure...
Canvas, Oil, Board
$14,000
H 15.5 in W 13.5 in
City Peril. Mid-Century American Urban Scene Oil Painting of Crime.
Located in Marco Island, FL
The danger of American life is captured in this Clyde Singer painting, City Peril (1958), where he depicts a moment in the city where a woman is targeted while walking. An accomplish...
Oil, Board
Sold
H 19 in W 23.25 in
Vintage Americana Oil Painting, "Paper Box" Robert Sarsony, ACA Gallery
By Robert Sarsony
Located in Surfside, FL
Robert Sarsony Oil on gesso and masonite board. Hand signed lower left. Labels verso give artist, title "Paper Box", year 1971 and medium. Bears label from ACA Gallery...
Gesso, Oil, Board
Sold
H 16.5 in W 20.5 in D 2 in
Realist Landscape of a Winter Forest by Robert Sarsony
By Robert Sarsony
Located in Buffalo, NY
Realist landscape of a winter forest by Robert Sarsony. Oil on board, circa 1970. Signed lower right. Displayed in a giltwood frame. Image size, 18"L x 14"H, overall 20.5"L x 16.5"H
Canvas, Oil, Board
Bikini, 1975
By Robert Sarsony
Located in Surfside, FL
Robert Sarsony was born in 1938 and is a self taught painter. Sarsony's style is called Modern American Realism. He has been inspired by book and magazine illustrations from the 1920's through the 1940s. Subjects range from silent movie photographs and pictures of important historical events to reproductions taken from period children's books. Sarsony also portrays figure and landscape subjects with an attention to light effects that give his canvases an impressionistic air. In His Own Words "I've done quite a few model paintings. It seems I always have another idea or pose for what I call my "Model Series". The titles usually begin with "Model". Sometimes the model is taking a critical look at the work in progress on the easel. At other times I show the model dressing or undressing or just resting. In my "Deco Series" the subject is usually shown with a few objects that suggest a setting against a white background. In the "Post Card Series” I combine images of early cars, planes, ships, etc with images of old post cards, playing cards or other early collectible cards from cereal boxes or cigarette packs. Mostly I use images of girls--sometimes based on actual cards and sometimes invented. The cards are painted so they appear to be real cards tucked into the frame of the painting. Robert Sarsony's hard work has paid off. His paintings hang in many prominent collections and museums, including the Smithsonian Institution's National Museum of American Art in Washington, D.C., the Joslyn Art Museum in Omaha, Nebraska, and the American Embassy Collection in Washington, D.C. Robert Sarsony was much influenced by the Impressionists, but not so much by their brushwork as by their conceptual approach to color and structure and their interest in expressing mood. obert Sarsony is a self-taught painter and printmaker who began exhibiting in local shows in New Jersey in 1963. The following year he made his New York debut in a group show at Allied Artists. From 1969 until about 1974 he did a series of paintings based on book and magazine illustrations—“pop antiques...
Canvas, Oil