Robert Yucikas

Robert Motherwell, Untiled, Ink on Paper, 1976 Robert Motherwell (American, 1915-1991) Ink on handmade paper 11 inches high x 16 inches wide This work is framed in an Italian gil...

Vintage Ivan Jordell Abstract Pastel On Paper Artwork New Mat with original frame. Image Size: 10" x 12"

Original well drawn image of a nude woman reclining, obviously posing for the artist. Aged paper. Needs a nice frame. Good condition consistent with age and materials. Some slight ...

Vintage Ivan Jordell Abstract Pastel On Paper Artwork New Mat with original frame. Image Size: 10" x 13 1/2"

Francisco Zuñiga(1912-1998) Desnuda signed lower right conte crayon on paper "sight size" Measures: 18 in. by 27 in. (45.72 cm. x 68.58 cm.) size ...

Original drawing, felt-pen, signed, framed, 21 x 30 cm Early Graffiti from the 1970s.

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

Pop Art Pol Mara, mix-media on paper (pencil, aerograph, watercolor, pastel) framed.' Dimension for drawing only: 70 x 50cm, signed and dated '74. (there are reflections that are not...

Graphite 2 - André Ferrand Graphite on paper Signed and dated lower right Dimensions : L51xH65cm 2011 900€.

Contemporary New York artist Patrick Carrara's Divided Lines Drawings Triptych was made in 2010. The D.L. Series (2010 -2011) was created after Gardens of Silence (2009 - 2010). No m...

Contemporary New York artist Patrick Carrara's Garden of Silence Drawings was created in 2009. G.O.S. (2009-2010) was the first series using a mechanical pencil with a hard 5H graphi...

Contemporary artist Jennifer Printz "Quietus II" series of six prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. Jennifer Printz, an artist with a love for the poetic, carefully selects titles for her pieces and exhibitions to evoke multiple meanings. One such significant title in her work is "Quietus," symbolizing resolution and rest. She chose this title to reflect the artwork's creation during a sabbatical, a period of rejuvenation and tranquility. "Quietus" also represents her core artistic motivation – emphasizing the importance of stillness and calm in life. In the hustle and bustle of life, we often miss out on essential experiences unless we allow ourselves to be quiet and introspective. Jennifer believes that finding solace is crucial, and she invites viewers to appreciate its significance. Her work provides a meditative space, offering a brief moment of quiet reflection. In 2017, she was interviewed by Jenine Culligan, the director at the Eleanor D. Wilson Museum at Hollins University, where her solo exhibition sabbatical work was titled "An Almost Unnoticed Quietus." This title cleverly connects "quietus" with "almost unnoticed," highlighting the themes of meditation and mindfulness. Through these practices, Jennifer uncovers profound aspects of our world and emotions often overlooked in our hurried lives. Meditation has taught her to appreciate the moments when we are on the verge of giving up, as these are often when unexpected greatness can unfold. Shown in the first photo, from top left to right: Image 3: Unpaused Moment Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 4: Lead to Dust Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 5: Strata Rises Through Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 6: Dark Serenity Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 7: A Few Splinters of Time Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 8: Sinking Through the Sands...