Robots Tables

The table "Model 522" was designed by Gianfranco Frattini and manufactured by Bernini in Italy of the 1960s. It is made of rosewood and with its geometric shapes, straight lines and ...

This modernist style bar cart was designed by Cesare Lacca for Cassina. It has a dark mahogany frame, two glass shelves and dates from the 1950s. Original metal and black rubber cast...

Paolo Tilche Bar Cart for Artform, Italy 1950s

1960s Italian Brass, Glass & Mirror Bar Cart. Top shelf is glass and bottom shelf is mirror. The wheels on cart are not removable.

Madonna table in lacquered wood, designed in 1984 by Arquitectonica. Memphis is the great cultural phenomenon of the 1980s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene...

Wonderful service bar trolley designed by the master of Italian design Ico Parisi together with his wife Luisa. The cart was produced by De Baggis in the 1950s in Italy. The wood qu...

Wonderful Italian wood trolley with glass and brass finishes. It has a removable serving tray with brass and chrome finishes. This 1950s production is attributed to Cesare Lacca, has wonderful rounded lines and materials plus amazing brass finishes This serving table will add a fresh accent wherever you place it and it will work in a natural, bohemian, midcentury or contemporary ambience. Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brasswork for which he is the best know and which fetch high prices from collectors. Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953—the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino, Franco Albini, and Gio Ponti In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career—which make up a large proportion of what is available on the vintage market today—as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray. Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting...

Table with etched grindstone base and marble top by Giulio Lazzotti for Mageia. Made in Italy circa 1981. The name of the town where Giulio Lazzotti lives and works, Pietrasanta, can be alternately translated as Saint Peter or “holy stone,” the latter being wholly appropriate for a designer and architect whose work in marble, metal and wood takes on a serene, sculptural presence. Lazzotti was educated at the prestigious University of Florence, where he later returned to teach architecture. Since 1975, Lazzotti has maintained a diverse practice encompassing architecture, interior design and furniture design, winning such awards as first prize for Design at the Moving Fair of Paris, the Torre Guinigi prize in Lucca for Urban Design for the historical center of Pietrasanta, a top ten in the International Chair Fair at Udine and, most recently, the Good Design prize from the Japan Industrial Design Promotion Organization. Following in the tradition of classic Italian sculptors and craftsman, Lazzotti’s furniture is produced with an artisan’s eye for material nuance and imbued with modernist simplicity. Internationally recognized for his work with stone, Lazzotti has organized symposia on the material and taught courses like “Design in Marble” at the Academy of Fine Arts in Carrara, Italy (home to the famous white carrara marble quarries). Lazzotti has worked with many international companies, including Iveco, The Conran Shop...

Exceptional Italian bronze center table featuring a pair of mermen or putti di mare. The bronze has a lovely patinated finish with verdigris. The base alone measures 45 inches wide b...

Jumbo firmato da Gae Aulenti per Knoll è il tavolino completamente in marmo con coppia di gambe ad ogni angolo. I marmi sono della migliore qualità, selezionati per eliminare i difet...

Robert Venturi for Knoll Postmodern square dining table Model No. 65848, 1984. Cabriole legged dining/ center/ work table in iconic postmodern "Grandmother's Tablecloth" printed lami...

Beautiful and rare, original first 1962 Stildomus edition of the famous Bruno Munari 'Cubobar.' The original Stildomus edition was produced in small numbers and is today rarely seen,...