Rod Mireau Art

Dionysian Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 44 x 8 x 6 in "I am an artist, a sculptor...

a mesmerizing sea of light amber, emerald and aqua color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique...

Abstract Landscape Oil Painting of Green Fields & Trees in the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe...

Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

Fiberglass & Chrome Edition 1/3 Valentin Korzhov is a Russian artist born in 1975 who lives & works in Moscow, Russia. Valentin Korzhov is known for his multi-media works combining...

In this abstract landscape, artist Geneva Cross conveys the mood of a dreamlike summer evening that might be remembered by any of us in its universality. Blending the basic elements ...

Abstract Landscape Oil Painting of Fields & Trees in the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe. This ...

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Greg Chann Agis, 2025 acrylic and ink 16 x 13 x 2.5 in. (cha037)

Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 1903-1997). Presented in a giltwood frame. Image size: 10" H X 8" W. G...

Red and Yellow Abstract Landscape Oil Painting of the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe. This ori...

Meditative Fiberglass / Composites Filled Resin Base Gold Graphite Finish 38" x 7" x 6" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed ...