Rod Mireau Art

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Abstract Landscape Oil Painting of Green Fields & Trees in the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe...

Fiberglass & Chrome Edition 1/3 Valentin Korzhov is a Russian artist born in 1975 who lives & works in Moscow, Russia. Valentin Korzhov is known for his multi-media works combining...

Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

Red and Yellow Abstract Landscape Oil Painting of the Yorkshire Dales, an Area of Outstanding Natural Beauty, by British Artist Moira Metcalfe. This ori...

wall sculpture, measuring 70 x 70 x 10 inches Can be placed outdoors Available in 5 flavors: cherry, orange, grape, lime and blue raspberry Things disappear. Sometimes things disa...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

BM Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 27" x 10" x 11" "I am an artist, a sculptor not ...

Katheryn Holt (American, born 1951) "Lost River" 2022 Oil paint, Wood Panel, Wood The artist signed the back of the painting. Framed: 41" x 41" x 1.25" The upper half of the compos...

a mesmerizing sea of light amber, emerald and aqua color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique...