Roh Jae-soon Art

„He is a declared painter with full awareness of his conceptual past. His works, near to photo-realism, show objects in a garish intense coloristic. It is the process of painting, the transition from the idea to a perfect canvas, which is most important for Toman. The object is just a pretext, the valuable is the studio and the picturesque amatory, which makes it possible to copy the material fragments of life.“ (Panteon) Born 1966, studied 1986-87 at the Institute of Artistic Education UMCS Lublin/studio Prof. Mieczysław Herman, 1988-93 at the Faculty for Painting/Academy of Fine Arts, Cracow, diploma in the studio of Prof. Włodzimierz Kunz; 1995-97 Ecole Regionale des beaux-arts in Rennes/France, diploma with distinction under direction of Prof. Gerard Baldet...

In this Harlequin series work Berlin has The choreographer absent mindedly slipping on a ballet slipper. The hand is hardly discernible on the canvas as it is in his mind. His gaze a...

Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This phy...

The painting is permeated with memories of childhood and early dawns, the smell of grass, earth, sunlight, long walks and fresh coffee. A story about how to be free, light, brave. Be...

A unique oil painting, drawing heavily from the post-impressionist movement. A gloomy night-time street scene, typical of Glanville's work. Oil on stretched canvas, ready to hang. ...

Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...

This painting was created as a stylization of the beauty of a peacock. The painting is made with deep texturing and impasto. The painting combines elements of living nature combined ...

Justin Wheatley's "The Walk" is an original, handmade acrylic painting depicting a macro of a white barn. Justin Wheatley was born and raised in Clinton, Utah. He holds a Bachelor o...

„He is a declared painter with full awareness of his conceptual past. His works, near to photo-realism, show objects in a garish intense coloristic. It is the process of painting, the transition from the idea to a perfect canvas, which is most important for Toman. The object is just a pretext, the valuable is the studio and the picturesque amatory, which makes it possible to copy the material fragments of life.“ (Panteon) Born 1966, studied 1986-87 at the Institute of Artistic Education UMCS Lublin/studio Prof. Mieczysław Herman, 1988-93 at the Faculty for Painting/Academy of Fine Arts, Cracow, diploma in the studio of Prof. Włodzimierz Kunz; 1995-97 Ecole Regionale des beaux-arts in Rennes/France, diploma with distinction under direction of Prof. Gerard Baldet...

A unique oil painting, drawing heavily from the post-impressionist movement. A gloomy night-time street scene, typical of Glanville's work. Oil on stretched canvas, ready to hang. ...

A unique oil painting, drawing heavily from the post-impressionist movement. A gloomy night-time street scene, typical of Glanville's work. Oil on stretched canvas, ready to hang. ...

"Long-Awaited" Oil Painting 27.5" x 24" inch by Anastasiia Danilenko Ships rolled in a tube Anastasiia Danilenko is an artist and graphic designer. But the area of her occupation...